The glass bottom boat of the cultural press
For a quarter century, Dirk Dresselhaus has been putting out sparse, intelligent electronic compositions that even at their calmest crackle with some subtle form of nervous energy.
RIYL: Com Truise, To Rococo Rot, The Orb
Released: April 9, 2021
https://open.spotify.com/album/4uc3WJaW0souVWRa988QUm?si=LPSxjm00TWiA6hufs1HXFA&dl_branch=1
Carl F. Gauze reviews the not-quite one-woman show, Always… Patsy Cline, based on the true story of Cline’s friendship with Louise Seger, who met the star in l961 and corresponded with Cline until her death.
Carl F. Gauze reviews this interesting look at the surprising history and scandalous etymology of jazz, in Weird Music That Goes On Forever, by Bob Suren.
Two new releases from Free Dirt Records use sound and music to tell stories about our history.
A lady Tarzan and her gorilla have a rough time adapting to high society in Lorraine of the Lions (1925), one of four silent films on Accidentally Preserved: Volume 5, unleashed by Ben Model and Undercrank Productions, with musical scores by Jon C. Mirsalis.
Carl F. Gauze takes in See You at the Movies, another exciting Winter Park Playhouse Spotlight Cabaret featuring Orlando’s own Tay Anderson.
A small town woman finds peace with her family in Rachel Hendrix, part of the 2024 Florida Film Festival, an Oscar®-qualifying festival now in its 33rd year.
Look to the East, Look to the West (Merge Records). Review by Bob Pomeroy.
