Sasha
Fundacion NYC (Global Underground). Review by Kiran Aditham.
Music Reviews
Faced with the rich sonic twister of music ever churning around us, our writers strap on headphones and hunker down with these tunes and their words to lead everyone to the bottom of what sounds good right now.
Sunny So Brite
The New American Century (Self-Released). Review by Kyrby Raine.
Shipping News
Flies the Field (Quarterstick). Review by Aaron Shaul.
DJ Rupture
Special Gunpowder (Tigerbeat6). Review by Bill Campbell.
Arlene Hattori
Finding Myself Again (). Review by Kyrby Raine.
The Decemberists
Picaresque (Kill Rock Stars). Review by Aaron Shaul.
The Famous
Light, Sweet Crude (Leading Brand Records). Review by Kyrby Raine.
Year Future
The Hidden Hand (Gold Standard Labs). Review by Daniel Mitchell.
Hothouse Flowers
Into Your Heart (Eleven Thirty). Review by Sean Slone.
The RadioSirens
Fearless (Dr. L’s Music). Review by Kyrby Raine.
Estee Louder
Ohio’s Best (Diaphragm). Review by Daniel Mitchell.
DJ Premier & Mr. Thing
The Kings of Hip Hop (BBE/Rapster). Review by Bill Campbell.
Alina Simone
Prettier in the Dark (Fractured Discs). Review by Aaron Shaul.
Norah Jones
Artist’s Choice: Music That Matters to Her (Hear Music). Review by Bill Campbell.
The Boomtown Rats
Best of the Boomtown Rats (Universal). Review by Sean Slone.
Thee Silver Mt. Zion Memorial Orchestra & Tra-La-La Band
Horses in the Sky (Constellation). Review by Aaron Shaul.
Supercell
The New American Standard (Retrospect Records). Review by Andrew Ellis.
Train
Alive at Last (Columbia). Review by Tim Wardyn.
The Crash Moderns
The Crash Moderns (Maxim Artists). Review by Andrew Ellis.
Tim Booth
Bone (Koch Records). Review by Sean Slone.
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