Venice Is Sinking
Sand & Lines (One Percent Press). Review by Matthew Moyer.
Sand & Lines (One Percent Press). Review by Matthew Moyer.
Crazy Heart - Original Motion Picture Sound Track (Fox Search Light / New West). Review by Al Pergande.
Is Passed in Sleep; At Night He Hunts (Jumberlack Media). Review by Nora Richardson.
Homage Au Passé (Lionsgate). Review by Carl F Gauze.
Light Poles and Pines (Seany). Review by Carl F Gauze.
Writing Down Things to Say (Words on Music). Review by Aaron Shaul.
The Asheville Squints (Quite Scientific). Review by Aaron Shaul.
Black Holiday in Mexico City (Shut Eye Records and Agency). Review by Carl F Gauze.
Ridiculous Empire (Cool Midget). Review by Carl F Gauze.
Ghost Dance (K). Review by Aaron Shaul.
My Ion Truss (Jagjaguwar). Review by Aaron Shaul.
To Go Home (Merge). Review by Aaron Shaul.
Sharp Teeth (Buhanan). Review by Aaron Shaul.
Meadow (Merge). Review by Aaron Shaul.
Ambassador (Six Shooter). Review by Aaron Shaul.
Let It Roll (Dahlia). Review by Aaron Shaul.
Feel the Pull (Self-Released). Review by Aaron Shaul.
The Tallest Man on Earth (Gravitation). Review by Aaron Shaul.
Second Guessing (Amish). Review by Aaron Shaul.
Twenty-three years after his Sonic Recipe for Love, Steve Stav writes a playlist for the brokenhearted victims of another corporate holiday: the first Valentine’s Day of the second Trump era.
Phil Bailey reviews Rampo Noir, a four part, surreal horror anthology film based on the works of Japan’s horror legend, Edogawa Rampo.
In this latest installment of his popular weekly series, Christopher Long finds himself dumpster diving at a groovy music joint in Oklahoma City, where he scores a bagful of treasure for UNDER $20 — including a well-cared-for $3 vinyl copy of Life for the Taking, the platinum-selling 1978 sophomore set from Eddie Money.
Ink 19’s Liz Weiss spends an intimate evening with Gregory Alan Isakov.
Sharon Van Etten & The Attachment Theory (Jagjaguwar). Review by Peter Lindblad.
This week, Christopher Long goes “gaga” over discovering an ’80s treasure: an OG vinyl copy of Spring Session M, the timeless 1982 classic from Missing Persons — for just six bucks!
Both bold experiment and colossal failure in the 1960s, Esperanto language art house horror film Incubus returns with pre-_Star Trek_ William Shatner to claim a perhaps more serious audience.
You Can’t Tell Me I’m Not What I Used To Be (North & Left Records). Review by Randy Radic.