Night Birds (Robalo Music). Review by Bob Pomeroy.
Spunky (Kill Rock Stars). Review by Bob Pomeroy.
Cape Verdean Blues (Folkalist Records). Review by Bob Pomeroy.
Inuktitut (Bonsound). Review by Bob Pomeroy.
Superfan Alexandros Anesiadis writes the encyclopedia of post-hardcore, melodic punk from around the world, We Can Be The New Wind. Bob Pomeroy reviews.
The Long Haul. Review by Bob Pomeroy.
Author Andrea Janov shares memories of living in the New York City fast lane in the early 2000s with Short Skirts and Whiskey Shots: Tales of Nights I Shouldn’t Have Made it Home Alive. Review by Bob Pomeroy.
Diatom Ribbons: Live at the Village Vanguard (Pyroclastic Records). Review by Bob Pomeroy.
Does it matter if there are few or no original members in that band you’re paying to see? Bob Pomeroy muses on legacy bands. Are they real or are they Memorex?
A selection of short reviews of recently released jazz records.
éclipse (Elastic Recordings). Review by Bob Pomeroy.
Guji Guji (Godless America). Review by Bob Pomeroy.
Yonder (Electric Muse). Review by Bob Pomeroy.
Illustrator Rachel Moss transforms Bill Withers’ classic song into an uplifting children’s story about friendship and community. Bob Pomeroy reviews Lean on Me.
The Way To You (Anzic Records). Review by Bob Pomeroy.
Frontier’s Edge (Diamond West). Review by Bob Pomeroy.
Broken Gargoyles (Intravenal Sound Operations). Review by Bob Pomeroy.
Live in 1967: Volume Three (Forty Below Records). Review by Bob Pomeroy.
The Gennett Suite (Patois Records). Review by Bob Pomeroy.
Renderings (Summit/MAMA Records). Review by Bob Pomeroy.
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