Until Death Comes (Licking Fingers). Review by Aaron Shaul.

Somber Wurlitzer (Earthling). Review by Aaron Shaul.

From the Lion’s Mouth (Kill Rock Stars). Review by Aaron Shaul.

Homeland (Grimsey). Review by Aaron Shaul.

The Orchestra, Sadly, Has Refused (File 13 Records). Review by Matthew Moyer.

Collaboration,Pop,R&B,1960s songwriter,Isley Meets Bacharach,Here I Am,Dreamworks,Aaron Shaul

Here I Am (Dreamworks). Review by Aaron Shaul.

Amorino (Instinct). Review by Aaron Shaul.

Amorino (Instinct). Review by Aaron Shaul.

A thousand kisses deep (Columbia). Review by Ben Varkentine.

Something Deeper Than These Changes (Smile). Review by Sean Slone.

Beet Maize & Corn (Drag City). Review by Sean Slone.

Us (Beggars). Review by Aaron Shaul.

Lost Together (Atenzia). Review by Andrew Ellis.

Daniel Johnston–a man who the term “legendary” truly fits–speaks with Stein Haukland about his new album with Mark Linkous of Sparklehorse, art, and Sonic Youth.

UPA (Gravitation ). Review by James Mann.

Play Power (Jetset). Review by Marcel Feldmar.

DJ, radio personality, magazine editor, musician – Tomoyuki Tanaka’s resume is almost as diverse as his music. Jason Feifer offers a look into the mind and music of Fantastic Plastic Machine.

Column by David Lee Simmons