Heaven and Hell
Neon Nights (Eagle Rock). Review by Matthew Moyer.
Neon Nights (Eagle Rock). Review by Matthew Moyer.
Songs of Torment, Songs of Joy (Candlelight Records). Review by Matthew Moyer.
Parasite of Society (Candlelight). Review by Matthew Moyer.
Frigidiis Apotheosia (Paragon / Apparitia). Review by Matthew Moyer.
Take Matthew Moyer’s advice - When the singer in a doom metal band is wearing priest’s vestments and rolling his eyes in the back of his head, you know you’re in for a quality concert. Solitude Aeternus brings the celluloid goods.
Dödsvisioner (Hyrdra Head Records). Review by Matthew Moyer.
How The World Came To An End (Candlelight). Review by Bob Ham.
Sour Times MCD (Seasons of Mist). Review by Matthew Moyer.
Voivod (Chophouse Records/Surfdog Records). Review by Matthew Moyer.
God Was Created (Metal Blade). Review by Matthew Moyer.
Being And Nothing (Candlelight). Review by Matthew Moyer.
Alfred Sole’s Alice, Sweet Alice is a very Generation X movie, mirroring our 1970s lives in important and disturbing ways. Phil Bailey reviews the new 4K UHD version.
In 1977, Here at Last… Bee Gees …Live cemented the Bee Gees’ budding reputation as world-class master songsmiths. 46 years later, longtime Ink 19 writer Christopher Long nabs a well-loved $6 vinyl copy at a Florida flea market — replacing his long-loved and lost-to-the-ages original record.
All-American music legend Bonnie Raitt played the Riverwind Casino Showplace Theatre in Norman, Oklahoma, recently while on her Live 2025 international concert tour. Longtime Ink 19 contributor Christopher Long was there and got the goods.
“Little Dreaming” (Darkroom / Polydor / Capitol). Review by Danielle Holian.
Everything Changes, Everything Stays the Same (Tapete Records). Review by Peter Lindblad.
Stories I Only Tell My Friends (Blackbird Records). Review by Bob Pomeroy.
Bone Bells (Pyroclastic Records). Review by Bob Pomeroy.