Derek Menchan: A Special Interview
- Interviews
- December 6, 2019
The multi-instrumentalist opens up on influences that shaped his The Griot Swings the Classics.
I Am (Eisenwald/Nordvis). Review by Matthew Moyer.
A tangle of corpse paint, murky ideologies, and total atonal extremity, this is music for the committed outsider.
Circle the Wagons (Peaceville). Review by Matthew Moyer.
Dawn of Inhumanity (Peaceville). Review by Matthew Moyer.
Alongside Death (Pulverized Records). Review by Matthew Moyer.
Albert Mudrian‘s Hall of Fame lineup of heavy metal Decibel masterpieces is the stuff of teenage delinquent dreams.
Godless Noise (Forcefield Records). Review by Matthew Moyer.
Satanic Blasphemies (Regain Records). Review by Matthew Moyer.
Helvete – Det Iskalde Mørket (Candlelight). Review by Matthew Moyer.
Orcustus (Southern Lord). Review by Matthew Moyer.
What? You’ve watched every episode of Metalocalypse and find yourself with nothing left to fill the sick, black void in your soul? Get thee to the source, man. Scott Adams recommends this Viking-fueled history of Black Metal.
Envoy of Lucifer (Regain Records). Review by Matthew Moyer.
Christ Illusion (Expanded Edition) (Warner Bros.). Review by Matthew Moyer.
Apocalyptic Visions (Ván Records). Review by Matthew Moyer.
Sworn to the Dark (Southern Lord). Review by Matthew Moyer.
Sardonic Wrath (The End Records ). Review by matthew moyer.
Violence Blasphemy Sodomy (Wicked World/Earache). Review by Matthew Moyer.
Beyond the Apocalypse (Candlelight). Review by Daniel Mitchell.
black metal,1349,Beyond the Apocalypse,Candlelight,Daniel Mitchell
Strange Old Brew (Mercenary Musik / World War III). Review by Matthew Moyer.
The multi-instrumentalist opens up on influences that shaped his The Griot Swings the Classics.
Veils of Winter (Riding Easy Records). Review by Carl F. Gauze.
Cut the Rope (Pirate’s Press Records). Review by Scott Adams.
The Bakersfield Sound (Bear Family Productions). Review by James Mann.
For the fifth straight year, Lily and Generoso assess a selection of new features from the eclectic program at AFI FEST, Los Angeles’ most prominent film festival.
Legendary Rock Photographer Bill O’Leary snapped darn near every band of note in the past forty years. Float down memory lane from Zappa to Alice Cooper.