Dr. Lonnie Smith
Breathe (Blue Note). Review by Bob Pomeroy.
Breathe (Blue Note). Review by Bob Pomeroy.
Savage Young Du (Numero Group). Review by Scott Adams.
Phantom Train (Jem Recordings). Review by James Mann.
Sondre Lerche soothes Orlando with his broad-palette approach to folk music – but don’t even think about catnapping during his set.
Then And Now (Fuel 2000). Review by Carl F Gauze.
Reunion (Fuel 2000). Review by Carl F Gauze.
For the Swan in the Hallway (Hidden Agenda). Review by Sean Slone.
Drums, drums, drums! In this second part of Gail Worley’s interview with Neal Smith, we find out about the unofficial drum museum, Neal’s Platinum God album, and exactly why he got into real estate.
88 Films gives new life to The Lady Assassin, Tony Lou Chun-Ku’s delightful mix of kung fu, Wuxia swordplay, and palace intrigue.
Alfred Sole’s Alice, Sweet Alice is a very Generation X movie, mirroring our 1970s lives in important and disturbing ways. Phil Bailey reviews the new 4K UHD version.
In 1977, Here at Last… Bee Gees …Live cemented the Bee Gees’ budding reputation as world-class master songsmiths. 46 years later, longtime Ink 19 writer Christopher Long nabs a well-loved $6 vinyl copy at a Florida flea market — replacing his long-loved and lost-to-the-ages original record.
All-American music legend Bonnie Raitt played the Riverwind Casino Showplace Theatre in Norman, Oklahoma, recently while on her Live 2025 international concert tour. Longtime Ink 19 contributor Christopher Long was there and got the goods.
“Little Dreaming” (Darkroom / Polydor / Capitol). Review by Danielle Holian.
Everything Changes, Everything Stays the Same (Tapete Records). Review by Peter Lindblad.
Stories I Only Tell My Friends (Blackbird Records). Review by Bob Pomeroy.