Hair
Boundaries get pushed to the limit in this revival of the classic hippie musical from 1967.
Boundaries get pushed to the limit in this revival of the classic hippie musical from 1967.
Self-Destructive Pattern (Roadrunner). Review by Nick Plante.
Martin Atkins leads the revolving mayhem of Pigface and Gail Worley finds out why the heaviest drummer in the land doesn’t play drums much anymore.
Martin Atkins leads the revolving mayhem of Pigface and Gail Worley finds out why the heaviest drummer in the land doesn’t play drums much anymore.
Life (Epic). Review by Vanessa Bormann.
This career day, learn how to be a rock star from the likes of Papa Roach, Eve 6, and Zebrahead, thanks to the instructional career video, Backstage Pass Volume 2. What? This isn’t a career video? Coulda fooled Steve Schwadron.
A former convict returns to London to avenge his former enemies and save his daughter. Carl F. Gauze reviews the Theater West End production of Sweeney Todd.
This week, cuddly curmudgeon Christopher Long finds himself feeling even older as he hobbles through a Florida flea market in pursuit of vinyl copies of the four infamous KISS solo albums — just in time to commemorate the set’s milestone 45th anniversary.
Starting with small-time jobs, two gangsters take over all the crime in Marseilles in this well-paced and entertaining French film. Carl F. Gauze reviews the freshly released Arrow Video Blu-ray edition of Borsalino (1970).
Aaron Tanner delivers 400 pages of visual delights from the ever-enigmatic band, The Residents, in The Residents Visual History Book: A Sight for Sore Eyes, Vol. 2.
Two teenage boys build a sexy computer girlfriend with an 8-bit computer… you know the story. Carl F. Gauze reviews Weird Science (1985), in a new 4K UHD Blu-ray release from Arrow Films.
Cauldron Films’ new UHD/Blu-ray release of Lucio Fulci’s City of the Living Dead (1980) preserves one of the best Italian horror films, according to Phil Bailey.
Marleen Gorris’s first theatrical feature is a potent feminist look at the easily disposable lives of sex workers in Amsterdam. Phil Bailey reviews Broken Mirrors.