George Jones
A Picture of Me - Nothing Ever Hurt Me (American Beat Records). Review by Matthew Moyer.
A Picture of Me - Nothing Ever Hurt Me (American Beat Records). Review by Matthew Moyer.
From Hell To Texas (Steamhammer / SPV). Review by Carl F Gauze.
country,redneck,loud,violent,Hellstomper,Are you From Dixie?,D-Fens Records,Carl F Gauze
Are you From Dixie? (D-Fens Records). Review by Carl F Gauze.
50 Ways to Leave Your Liver (ADD). Review by Carl F Gauze.
Pathetic Me (TMT). Review by Kiran Aditham.
Lucky 7 (Artemis). Review by Bettie Lou Vegas.
Why does the Unband rock so hard? That’s what Gail Worley asked singer/guitarist Matt Pierce of the one band that parties so hard that they had to move to New York after being banned from every club in Boston. It’s all about sex, drugs, and rock and roll!
The Shape of Punk to Come: A Chimerical Bombination in 12 Bursts (Epitaph). Review by Steven Cruse.
A Peak in the Signal: Live 1979-1980 (Tiny Global Productions). Review by Peter Lindblad.
We Take No Prisoners (The Singles: 1995 – 2006) (BMG). Review by Christopher Long.
Bob Mould finishes his 2024 Fall Solo Tour, bringing legendary energy to Atlanta.
Featured photo by Charles DJ Deppner.
Crescent City Jewels (Troubadour Jass ). Review by Bob Pomeroy.
Featured photo by Eric Waters and Girard Mouton.
For the tenth straight year, Lily and Generoso proudly present their coverage of AFI Fest, Los Angeles’s premiere film festival which took place in Hollywood this October.
Featured photo courtesy of AFI Fest.
The Best of hackedepicciotto (Live in Napoli) (Mute). Review by Peter Lindblad.
Ink 19’s Randy Radic spoke with C.L. Turner of the band Arctic Wave to discuss the latest single, inspirations, and next directions.
Featured image courtesy of Present PR