The glass bottom boat of the cultural press
Dylan Garret chats with Dan Geller of I Am The World Trade Center about dance music, DJing, downloads, and how New York City needs to stop being so damned expensive already. All this and more, with less questions about the band’s name than you’ve come to expect. Well, okay, just one. But it’s a good one.
Enon took the stage at Revolver in Miami, FL for an outstanding, yet completely unappreciated show. Except for Dylan Garret. He gets it.
Various Artists (Neurodisc). Review by Dylan Garret.
Investigative journalist Frank Owen pulls us into the ruthless (yet colorful and well-accessorized) world of ’90s New York and Miami club scenes. Dylan Garret likes the nightlife. He likes to boogie.
Mind Over Mind (Ultimatum Music). Review by Dylan Garret.
All Little Boys Do Silly Little Dances (Wobblyhead). Review by Dylan Garret.
Dark Island (Merge Records). Review by Dylan Garret.
The Best of hackedepicciotto (Live in Napoli) (Mute). Review by Peter Lindblad.
Ink 19’s Randy Radic spoke with C.L. Turner of the band Arctic Wave to discuss the latest single, inspirations, and next directions.
Featured image courtesy of Present PR
Radiance Films resurrects a trio of ghostly mid-century Japanese films for their Daiei Gothic: Japanese Ghost Stories Blu-ray box set.
Haunted Underground Classics (RockBeat Records). Review by Charles DJ Deppner.
