The glass bottom boat of the cultural press
Dylan Garret chats with Dan Geller of I Am The World Trade Center about dance music, DJing, downloads, and how New York City needs to stop being so damned expensive already. All this and more, with less questions about the band’s name than you’ve come to expect. Well, okay, just one. But it’s a good one.
Enon took the stage at Revolver in Miami, FL for an outstanding, yet completely unappreciated show. Except for Dylan Garret. He gets it.
Various Artists (Neurodisc). Review by Dylan Garret.
Investigative journalist Frank Owen pulls us into the ruthless (yet colorful and well-accessorized) world of ’90s New York and Miami club scenes. Dylan Garret likes the nightlife. He likes to boogie.
Mind Over Mind (Ultimatum Music). Review by Dylan Garret.
All Little Boys Do Silly Little Dances (Wobblyhead). Review by Dylan Garret.
Dark Island (Merge Records). Review by Dylan Garret.
J-Horror classic Dark Water (2002) makes the skin crawl with an unease that lasts long after the film is over. Phil Bailey reviews the new Arrow Video release.
John Wayne’s final movie sees the cowboy actor go out on a high note, in The Shootist, one of his best performances.
Get to the theater tonight for Indigo Girls: It’s Only Life After All, Alexandria Bombach’s latest documentary, one night only!
Speedfossil’s in love with a girl on the internet, on “IRL” from Room With A VU, Vol.1.
Rad Brown and Buffalo Stille (Nappy Roots) premiere their second single from forthcoming LP Upper Crust Confections, “Only Love,” today at Ink 19.
Ben Folds adds new dates to his Paper Airplane Request Tour.
HEALTH continue their mission to make everyone love each other, bringing their RAT-BASED WARFARE TOUR to the Mile High City, where Steven Cruse gets to be a very lucky middle-aged industrial fanboy.