Hiding Out
Hiding Out reads like the clever New Yorker Magazine single-caption cartoon strips played out to their most poignant conclusions. S D Green delights in their mixture of the petty and profound. So should you.
Hiding Out reads like the clever New Yorker Magazine single-caption cartoon strips played out to their most poignant conclusions. S D Green delights in their mixture of the petty and profound. So should you.
If you’re anything like your average email recipient, you’re probably receiving at least as much spam in your inbox these days as legitimate email. Spam Kings is a look at the people who have devoted their lives to bringing you this important public service. Who are the most prolific spammers? Who are their friends? Who are their enemies? Can we hire professionals to take them out, or do we have to do it ourselves? Good questions all. Darius Gently probes for some answers.
Chairy Girl rips his words straight from the screen so you can stare… and cringe… ouch. The wonders of email never cease.
Can Chairy Girl survive a broadside of obsessive melodramatics? Stay tuned.
Chairy girl gives us heartrending monolgue, the waning trickle of a stream of consciousness, in Maketh Me Swoon.
Columns offers a firm welcome handshake to Chairy Girl, mastermind behind Maketh Me Swoon. In this episode, we see the awkward dumping spiel, awkwardly delivered via email. This is gonna be good.
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Hamilton, Ontario rap artist Cadence Weapon drops Rollercoaster (MNRK Music) today.
Shall I compare thee to an “Old Bronco”? Sure, if thou art The Bacon Brothers.
J-Horror classic Dark Water (2002) makes the skin crawl with an unease that lasts long after the film is over. Phil Bailey reviews the new Arrow Video release.
John Wayne’s final movie sees the cowboy actor go out on a high note, in The Shootist, one of his best performances.
Get to the theater tonight for Indigo Girls: It’s Only Life After All, Alexandria Bombach’s latest documentary, one night only!
Speedfossil’s in love with a girl on the internet, on “IRL” from Room With A VU, Vol.1.