All Ladies Do It and Frivolous Lola
A pair of Tinto Brass films from the ’90s reminds viewers we weren’t always so uptight. Phil Bailey gets erotic with All Ladies Do It and Frivolous Lola from the esteemed Italian director.
A pair of Tinto Brass films from the ’90s reminds viewers we weren’t always so uptight. Phil Bailey gets erotic with All Ladies Do It and Frivolous Lola from the esteemed Italian director.
Emmanuelle director Just Jaeckin’s misunderstood screwball comedy The Last Romantic Lover gets a much deserved Blu-ray release. Phil Bailey reviews.
Emmanuelle director Just Jaeckin’s misunderstood screwball comedy The Last Romantic Lover gets a much deserved Blu-ray release. Phil Bailey reviews.
A pious young Polish girl falls from grace and becomes the most potent sex symbol of Gilded Age France.
Five erotic films from controversial director Walerian Borowczyk show that eroticism is not equivalent to titillation. Or is it?
A visit to the Erotic Muesum reveals an electic view of sexuality. Carl F Gauze maintains his composure.
A visit to the Erotic Muesum reveals an electic view of sexuality. Carl F Gauze maintains his composure.
Twenty-three years after his Sonic Recipe for Love, Steve Stav writes a playlist for the brokenhearted victims of another corporate holiday: the first Valentine’s Day of the second Trump era.
Phil Bailey reviews Rampo Noir, a four part, surreal horror anthology film based on the works of Japan’s horror legend, Edogawa Rampo.
In this latest installment of his popular weekly series, Christopher Long finds himself dumpster diving at a groovy music joint in Oklahoma City, where he scores a bagful of treasure for UNDER $20 — including a well-cared-for $3 vinyl copy of Life for the Taking, the platinum-selling 1978 sophomore set from Eddie Money.
Ink 19’s Liz Weiss spends an intimate evening with Gregory Alan Isakov.
Sharon Van Etten & The Attachment Theory (Jagjaguwar). Review by Peter Lindblad.
This week, Christopher Long goes “gaga” over discovering an ’80s treasure: an OG vinyl copy of Spring Session M, the timeless 1982 classic from Missing Persons — for just six bucks!
Both bold experiment and colossal failure in the 1960s, Esperanto language art house horror film Incubus returns with pre-_Star Trek_ William Shatner to claim a perhaps more serious audience.
You Can’t Tell Me I’m Not What I Used To Be (North & Left Records). Review by Randy Radic.