Atmosphere
Atmosphere taps into the psyche of self doubt of twentysomethings, Matthew Moyer discovered at a sold-out Jacksonville show, where the powerhouse rhymes were so hot they broke the air conditioner.
Atmosphere taps into the psyche of self doubt of twentysomethings, Matthew Moyer discovered at a sold-out Jacksonville show, where the powerhouse rhymes were so hot they broke the air conditioner.
III (Drag City). Review by Aaron Shaul.
See You Tonight (Olympic Records). Review by Matthew Moyer.
Touch To Love/Spread Your Lies Wholeheartedly (Now Here Records). Review by Matthew Moyer.
They Hurt You Everyday (Lavender). Review by Aaron Shaul.
Phoenician Terrane (Contraphonic). Review by Aaron Shaul.
God Save the Clientele (Merge). Review by Aaron Shaul.
Reservations (Hausmusik). Review by Aaron Shaul.
Frozen Orange (Merge). Review by Aaron Shaul.
Secrets and Signals (House of Stairs). Review by Terry Eagan.
The Violet Hour (Merge). Review by Aaron Shaul.
This week, Christopher Long reveals one of his most amazing vintage vinyl acquisitions: an original pressing of Aladdin Sane — the iconic 1973 slab from David Bowie. Why so amazing? He nabbed it for FREE!
Who’s Making You Feel It (Darkroom/Polydor/Capitol). Review by Danielle Holian.
Film noir meets Sci-fi horror in Evan Marlowe’s bizarre puppet film Abruptio. Phil Bailey promises you have never seen anything quite like it.
Cheerleader’s Wild Weekend, aka The Great American Girl Robbery, entered the fray in 1979 with its odd mashup of hostage drama, comedic crime caper, and good old fashioned T & A hijinks. Phil Bailey reviews the Blu-ray release.
In this latest installment of his weekly series, Christopher Long discovers and scores a secondhand vinyl copy of one of his all-time favorite LPs: 2XS (To Excess), the splendid 1982 flop from the iconic Scottish powerhouse, Nazareth.
A Murmuration of Capitalist Bees (Expert Work Records, Dipterid Records). Review by Peter Lindblad.
Author and longtime Ink 19 contributor Christopher Long kicks off the 2025 edition of his popular weekly Garage Sale Vinyl series with a bona fide banger: the blues-soaked, whisky-injected, self-titled 1971 debut record from Bonnie Raitt.