Mixtape 161 :: Sand Angel
As individuals, Jay Som and Palehound each have their musical quirks and unique style. Together as Bachelor they plot a strange new course through the realm of dream pop.
As individuals, Jay Som and Palehound each have their musical quirks and unique style. Together as Bachelor they plot a strange new course through the realm of dream pop.
Bill Callahan has been wandering the halls of music for quite some time now, his deep voice and aimless arrangements a constant hypnotic presence.
The extremely productive Messer Chups hails from St. Petersburg, Russia, and is currently going through some very heavy surf.
Rotten Love (One Little Indian). Review by Aaron Shaul.
gimme danger/gimme sweetness (Kimchee). Review by Aaron Shaul.
On Parade (Too Pure). Review by Aaron Shaul.
A Guide to the Daylight Hours (Manifesto). Review by Aaron Shaul.
Dead Media (Too Pure / Beggars Banquet). Review by Ian Koss.
Enough popular culture to choke a horse! Tom “Tearaway” Schulte digs through the rubble of millions of rock and roll dreams.
Various Artists (Rex). Review by Bill Campbell.
We Love The City (Too Pure). Review by Anton Warner.
A beautiful collection of songs (going the route of “rare and unreleased”) th…
The Fidelity Wars (Too Pure/Beggars Banquet). Review by Ian Koss
Breaking God’s Heart (Too Pure/Beggars Banquet). Review by Kurt Channing
Column by Marcel Feldmar
Five years have passed since the release of the The Tree House, the remarkable hybrid documentary film by director Trương Minh Quý. Việt and Nam is Trương’s first fiction feature, and with about a week before it screens at AFI Fest in Los Angeles, Lily and Generoso had an in-depth discussion with Trương about his ethereal and complex film.
Judy Craddock has a pulled pork sandwich after Colby Acuff’s set, not missing a beat of Midland’s wild west tour stop. Grand Junction, Colorado, gets “lucky sometimes.”
The granddaddy of old dark house mysteries, The Bat (1926) creeps onto Blu-ray from Undercrank Productions.