The Jan Martens Frustration
The Jan Martens Frustration (Hidden Agenda). Review by Aaron Shaul.
The Jan Martens Frustration (Hidden Agenda). Review by Aaron Shaul.
War On Sound Mini Album (Hidden Agenda). Review by Aaron Shaul.
Chateauvallon (Sick Room). Review by Aaron Shaul.
Vehicles of Travel (Frenetic). Review by Aaron Shaul.
High Swan Dive (Self Released). Review by Aaron Shaul.
Rock ‘n’ Roll Etiquette (Narnack). Review by Aaron Shaul.
Morning Kills the Dark (Pop Up). Review by Aaron Shaul.
Not On Top (Track & Field). Review by Aaron Shaul.
2 (Magic Marker). Review by Aaron Shaul.
Everything’s a Love Letter (Preservation). Review by Aaron Shaul.
Static Patterns and Souvenirs (Words On Music). Review by Aaron Shaul.
Born to Be a Motorcycle (Asthmatic Kitty). Review by Aaron Shaul.
Why Do You Do? (Gringo). Review by Aaron Shaul.
Ex Hex (Lookout! Records). Review by Daniel Mitchell.
Why Don’t We Talk About Something Else (Rainbow Quartz). Review by Aaron Shaul.
My Favorite Songwriters (Five One). Review by Aaron Shaul.
Protest (Ace Fu). Review by Aaron Shaul.
XOXO (Gern Blandsten). Review by Aaron Shaul.
Ruin Everything! (Hello Sir). Review by Aaron Shaul.
Grab That Gun (Mint). Review by Aaron Shaul.
Joe Jackson brought his Two Rounds of Racket tour to the Lincoln Theatre in Washington D.C. on Monday. Bob Pomeroy was in the area and caught the show.
A Beach of Nightly Glory (Metropolitan Groove Merchants). Review by Rose Petralia.
With only a week to go before powerful new feature Louis Riel or Heaven Touches The Earth premieres in the Main Slate at UNAM International Film Festival, Lily and Generoso sat down for an in-depth conversation with the film’s director, Matías Meyer.
Carl F. Gauze reviews the fascinating Mostly True: The West’s Most Popular Hobo Graffiti Magazine, a chronicle of forgotten outsider subculture.
The Winter Park Playhouse explores the life of George M. Cohan and his landmark contributions to the American Songbook.
Anthony Mann’s gorgeous monochrome western, The Tin Star, may have been shot in black and white, but its themes are never that easily defined.
Charles DJ Deppner finds Flipside to be a vital treatise on mortality, creativity, and purpose, disguised as a quirky documentary about a struggling record store.