Autolux
Future Perfect (DMZ/Red Ink). Review by Aaron Shaul.
Future Perfect (DMZ/Red Ink). Review by Aaron Shaul.
Nice./Splittin’ Peaches (Ace Fu). Review by Aaron Shaul.
Bones (Preservation). Review by Aaron Shaul.
No Earthly Man (Drag City). Review by Aaron Shaul.
Dream Sounds (Jagjaguwar). Review by Aaron Shaul.
Mander Salis (Equal Vision). Review by Daniel Mitchell.
Polizida (Ice Planet). Review by Daniel Mitchell.
Homeland (Grimsey). Review by Aaron Shaul.
Summer in Abaddon (Touch & Go). Review by Aaron Shaul.
Within a Mile of Home (SideOneDummy). Review by Daniel Mitchell.
Metaphysics For Beginners (Redder). Review by Aaron Shaul.
Still Lifes Are Failing (GSL). Review by Aaron Shaul.
Snow Tires (Hidden Agenda). Review by Aaron Shaul.
Poison & Snakes (Asthmatic Kitty). Review by Aaron Shaul.
Old Enough 2 Know Better: 15 Years of Merge Records (Merge). Review by Aaron Shaul.
Cathedral (Asthmatic Kitty). Review by Aaron Shaul.
Don’t Climb on and Take the Holy Water (Strange Attractors). Review by Aaron Shaul.
Biggest Bluest Hi-Fi (Merge). Review by Aaron Shaul.
Frozen Orange (Merge). Review by Aaron Shaul.
The Taby Tapes (Hidden Agenda). Review by Aaron Shaul.
Get ready for an incredible lineup from Seattle’s 51st Bumbershoot Arts and Music Festival, this Labor Day weekend.
A pair of Tinto Brass films from the ’90s reminds viewers we weren’t always so uptight. Phil Bailey gets erotic with All Ladies Do It and Frivolous Lola from the esteemed Italian director.
Christopher Long takes us on a personal journey of rediscovering the magic of music. It’s just the inspiration I needed to continue my own.
Fascinated by the arcane world of musical gear, Randy Radic spoke with dyed-in-the-wool gearhead Greg Hoy about his setup on new EP Holy Mother of God, how he produces his unique sound, and a gear-gone-wrong moment.