Free So Free (Ultimatum Music). Review by James Mann.
What more can you say about Mike Watt, one of the most legendary figures ever to pick up the bass guitar? Better to let the man speak for himself — and that’s exactly what James Mann did.
J. Mascis + the Fog at the Cotton Club in Atlanta, GA on October 25, 2000. Concert review by James Mann.
Jam-band blues-rockers The Magpie Salute brought their unique sound to Central Florida, and Michelle Wilson got a healthy double-dose of one of her favorite bands.
Forever (Juniper Records). Review by Stacey Zering.
The Sybil EP (Mutant Cat Records). Review by Bob Pomeroy.
Guillermo del Toro gives a new look at gothic horror in Crimson Peak.
From Memphis to New Orleans – Songs From Robin Hood Lane (Bar/ None). Review by Bob Pomeroy.
When does a band become a brand? This new documentary examines the current state of the music business and reveals how the “brand” of a rock group now has more power than the members themselves.
Moisés Kaufman takes us into the hellish world of Oscar Wild’s foolish libel trial that sent him to jail for two years
A complex tale of sex and morality plays out in a small southern college
Work place tragedy turns into publishing gold.
He’s produced everyone from Herbie Hancock to Soundgarden. Michael Beinhorn tells about the art of music production.