Mixtape 139 :: Moving On
The Gaslamp Killer earned his nickname by ruining the vibe of clubs in San Diego’s Gaslamp district with his incongruous DJ sets, so we must conclude those clubs were lame.
The Gaslamp Killer earned his nickname by ruining the vibe of clubs in San Diego’s Gaslamp district with his incongruous DJ sets, so we must conclude those clubs were lame.
Well into their third decade, G. Love and Special Sauce still sound like they are in no particular hurry to get there.
What Kind of World (Readymade). Review by Sean Slone.
Four (The Major Label). Review by Sean Slone.
Is and Always Was (High Wire Music). Review by James Mann.
Wisely (Oglio/Fontana ). Review by Bryan Tilford.
It’s Gail Worley’s annual List of the Top 19 Quotes from Interviews she conducted with various Rock Types in 2005!
Married Alive (Doppler). Review by Sean Slone.
Metarie EP (Star Time). Review by Sean Slone.
Lapalco (Star Time). Review by Bryan Tilford.
All Is Dream (V2). Review by Sean Slone.
Necessity: The 4-Track Years (Spin Art). Review by Kurt Channing.
Can You Still Feel? (Elektra). Review by brYan Tilford
Sharon Van Etten & The Attachment Theory (Jagjaguwar). Review by Peter Lindblad.
This week, Christopher Long goes “gaga” over discovering an ’80s treasure: an OG vinyl copy of Spring Session M, the timeless 1982 classic from Missing Persons — for just six bucks!
Both bold experiment and colossal failure in the 1960s, Esperanto language art house horror film Incubus returns with pre-_Star Trek_ William Shatner to claim a perhaps more serious audience.
You Can’t Tell Me I’m Not What I Used To Be (North & Left Records). Review by Randy Radic.
In this latest installment of his weekly series, Christopher Long is betrayed by his longtime GF when she swipes his copy of Loretta Lynn’s Greatest Hits Vol. II right out from under his nose while rummaging through a south Florida junk store.