The glass bottom boat of the cultural press
Kicking off Ink 19’s new series, Labels We Love, S D Green talks to ZE Records co-founder Michel Esteban about defining a sound and establishing a label during New York’s 1970s creative zeitgeist, and the resurrection of the label that was once home to Lydia Lunch, Suicide, and Kid Creole & the Coconuts.
Yancey Boys (Delicious Vinyl). Review by S D Green.
Despite decades of punk being neutered by the media and the marketplace, Matthew Moyer is heartened to find that the artwork collected in this retrospective still has the power to outrage and inspire.
Squeeze and Boy George dazzle in Clearwater, Florida, as Michelle Wilson ticks two off her Bucket List.
Three strong women oust their evil boss and bring reasonable policies to the workplace in this hit musical.
Marvelous martial arts masterpiece To Kill a Mastermind is finally released from the Shaw Brothers’ vault.
Possessing all the coziness of a gawk-worthy car crash, Permanent Damage, the salacious memoir from the notorious, outrageous “groupie” Miss Mercy Fontenot and celebrated pop culture journalist Lyndsey Parker, provides a surprise payoff.
Michelle Wilson soaks up the jam band vibes when Warren Haynes Band brings their Million Voices Whisper Tour to Jacksonville.
