Mixtape 118 :: Look Alive
Following a proud tradition of weird Australian pop, The Stroppies give us the sort of incisive harmonic jangle the world needs right now.
Following a proud tradition of weird Australian pop, The Stroppies give us the sort of incisive harmonic jangle the world needs right now.
The second annual Harvest of Hope Festival raises money to help migrant farm workers by giving music fans three days of music, mud, and mayhem.
The return of anti-folk master Paleface piqued the interest of few in Orlando, but those who did turn out for his intimate, late-night performance on a frigid winter night were treated to a rare moment of musical beauty.
Kimya Dawson mothers the Chicago kids with her folkish punk rock lullabies. Chris Catania digs.
L’Autre Cap (K). Review by Aaron Shaul.
Remember That I Love You (K). Review by Matthew Moyer.
A former member of experimental/indie project The Moldy Peaches , the enigmatic Adam Green has been going solo for the past four years. Jen Cray had an early morning chat with the anti-folk artist with the deep baritone voice.
Not On Top (Track & Field). Review by Aaron Shaul.
40 years on, Michael Gira and Swans continue to bring a ritualistic experience that needs to be heard in order to be believed. Featured photo by Reese Cann.
The biggest astronomical event of the decade coincides with a long overdue trip to Austin, Texas.
Sofia and Louise have just graduated nursing school. They have no idea what they’ve signed up for.
At the Showcase: Live in Chicago 1976/1977 (Jazz Detective). Review by Bob Pomeroy.
Atlantis Lullaby: The Concert in Avignon (Elemental Music). Review by Bob Pomeroy.
Hamilton, Ontario rap artist Cadence Weapon drops Rollercoaster (MNRK Music) today.
Shall I compare thee to an “Old Bronco”? Sure, if thou art The Bacon Brothers.
J-Horror classic Dark Water (2002) makes the skin crawl with an unease that lasts long after the film is over. Phil Bailey reviews the new Arrow Video release.