Mixtape 118 :: Look Alive
Following a proud tradition of weird Australian pop, The Stroppies give us the sort of incisive harmonic jangle the world needs right now.
Following a proud tradition of weird Australian pop, The Stroppies give us the sort of incisive harmonic jangle the world needs right now.
The second annual Harvest of Hope Festival raises money to help migrant farm workers by giving music fans three days of music, mud, and mayhem.
The return of anti-folk master Paleface piqued the interest of few in Orlando, but those who did turn out for his intimate, late-night performance on a frigid winter night were treated to a rare moment of musical beauty.
Kimya Dawson mothers the Chicago kids with her folkish punk rock lullabies. Chris Catania digs.
L’Autre Cap (K). Review by Aaron Shaul.
Remember That I Love You (K). Review by Matthew Moyer.
A former member of experimental/indie project The Moldy Peaches , the enigmatic Adam Green has been going solo for the past four years. Jen Cray had an early morning chat with the anti-folk artist with the deep baritone voice.
Not On Top (Track & Field). Review by Aaron Shaul.
Sharon Van Etten & The Attachment Theory (Jagjaguwar). Review by Peter Lindblad.
This week, Christopher Long goes “gaga” over discovering an ’80s treasure: an OG vinyl copy of Spring Session M, the timeless 1982 classic from Missing Persons — for just six bucks!
Both bold experiment and colossal failure in the 1960s, Esperanto language art house horror film Incubus returns with pre-_Star Trek_ William Shatner to claim a perhaps more serious audience.
You Can’t Tell Me I’m Not What I Used To Be (North & Left Records). Review by Randy Radic.
In this latest installment of his weekly series, Christopher Long is betrayed by his longtime GF when she swipes his copy of Loretta Lynn’s Greatest Hits Vol. II right out from under his nose while rummaging through a south Florida junk store.