Sarah McQuaid
Walking Into White (Waterbug Records). Review by James Mann.
Walking Into White (Waterbug Records). Review by James Mann.
Adam Pierce, head mouseketeer in the rhythm-heavy, fuzz-laden collective known as Mice Parade, chats with Ink 19 about his process – and lack thereof.
Eyes at Half Mast (Arena Rock Recording Co.). Review by Logan Owlbeemoth.
6 Lonely Tales of One Lonely Riot Grrrl (Sounds Are Active). Review by Stein Haukland.
Like Hearts Swelling (Constellation). Review by Aaron Shaul.
6 Lonely Tales of One Lonely Riot Grrrl (Sounds Are Active). Review by Stein Haukland.
The Double Life of Testbild! (Radio Khartoum). Review by Stein Haukland.
Analog Vs. Digital (Tarquin). Review by Ian Koss.
Ramda (Bubblecore). Review by Andrew Chadwick
The Mighty Warriors: Live in Antwerp (Elemental Music). Review by Bob Pomeroy.
40 years on, Michael Gira and Swans continue to bring a ritualistic experience that needs to be heard in order to be believed. Featured photo by Reese Cann.
The biggest astronomical event of the decade coincides with a long overdue trip to Austin, Texas.
Sofia and Louise have just graduated nursing school. They have no idea what they’ve signed up for.
At the Showcase: Live in Chicago 1976/1977 (Jazz Detective). Review by Bob Pomeroy.
Atlantis Lullaby: The Concert in Avignon (Elemental Music). Review by Bob Pomeroy.
Hamilton, Ontario rap artist Cadence Weapon drops Rollercoaster (MNRK Music) today.
Shall I compare thee to an “Old Bronco”? Sure, if thou art The Bacon Brothers.
J-Horror classic Dark Water (2002) makes the skin crawl with an unease that lasts long after the film is over. Phil Bailey reviews the new Arrow Video release.