Dark Was the Night (Red Hot Organization). Review by Tim Wardyn.
A Christmas Album to Benefit Amnesty International (Animal World Recordings). Review by Matthew Moyer.
When epic indie rock that’s heavy with literary allusions, like what The Decemberists create, can sell out a large venue like the Hard Rock Live it gives Jen Cray hope for the state of music.
How are musicians coping with a world without stages. Bob Pomeroy talked to a few of his favorites who have turned to streaming shows to get some answers.
This Is Me. Review by Stacey Zering.
Generoso reviews Tommaso, the provocative new feature from director Abel Ferrara (Bad Lieutenant, Pasolini), which stars Willem Dafoe and Christina Chiriac.
Vincent’s Playlist (BYM Records). Review by Scott Adams.
A standard love triangle quickly goes surreal with the addition of a giant shoe.
Renowned violinist Gregory Harrington unveils how he chose elegant covers on his new album Without You.
A Steady Drip, Drip, Drip (BMG). Review by Generoso Fierro.
Devil’s Breath (Sign Records). Review by Carl F. Gauze.
The latest from Creston Mapes, “Let My Daughter Go” delivers everything his dedicated disciples have come to expect – inspiring heroes and despicable villains, along with plenty of action and non-stop tension.
Have a Good Time, But Get Out Alive (Cleveland International). Review by Bob Pomeroy.