Espers
III (Drag City). Review by Aaron Shaul.
III (Drag City). Review by Aaron Shaul.
Yosuga (Jagjaguwar). Review by Aaron Shaul.
Helena Espvall & Masaki Batoh (Drag City). Review by Aaron Shaul.
Abyssal (Temporary Residence). Review by Aaron Shaul.
Overture: Live in Nippon Yusen Soko 2006 (Drag City). Review by Aaron Shaul.
Mirror Flake (Flau). Review by Aaron Shaul.
The Last Temptation of… (Gigantic). Review by Aaron Shaul.
City Calls Revolution (Beta-lactam Ring). Review by Aaron Shaul.
A Thousand Shades of Grey (Funfudervierzig). Review by Aaron Shaul.
Dream Sounds (Jagjaguwar). Review by Aaron Shaul.
On the Love Beach (Jagjaguwar). Review by Stein Haukland.
This fall, Ani DiFranco brought new Righteous Babe labelmate Kristen Ford to Iowa City, where Jeremy Glazier enjoyed an incredible evening of artistry.
This week Christopher Long grabs a bag of bargain vinyl from a flea market in Mount Dora, Florida — including You’re Never Alone with a Schizophrenic, the classic 1979 LP from Ian Hunter.
Bob Pomeroy gets into four Radio Rarities from producer Zev Feldman for Record Store Day with great jazz recordings from Wes Montgomery, Les McCann, Cal Tjader, and Ahmad Jamal.
Bob Pomeroy digs into Un “Sung Stories” (1986, Liberation Hall), Blasters’ frontman Phil Alvin’s American Roots collaboration with Sun Ra and his Arkestra, the Dirty Dozen Brass Band, and New Orleans saxman Lee Allen.
Roi J. Tamkin reviews A Darker Shade of Noir, fifteen new stories from women writers completely familiar with the horrors of owning a body in a patriarchal society, edited by Joyce Carol Oates.
Mandatory: The Best of The Blasters (Liberation Hall). Review by Bob Pomeroy.
Feeling funky this week, Christopher Long gets his groove on while discovering a well-cared-for used vinyl copy of one of his all-time R&B faves: Ice Cream Castle, the classic 1984 LP from The Time, for just a couple of bucks.
During AFI Fest 2023, Lily and Generoso interviewed director Lkhagvadulam Purev-Ochir, whose impressive debut feature, City of Wind, carefully examines the juxtaposition between the identity of place and tradition against the powers of modernity in contemporary Mongolia.
Juliana Hatfield Sings ELO (American Laundromat Records). Review by Laura Pontillo.