Negativland
The World Will Decide (Seeland). Review by Julius C. Lacking.
The World Will Decide (Seeland). Review by Julius C. Lacking.
Go ahead and call your band Great Grandpa. You better have something pretty weird up your sleeve.
Music For the Fire (Illegal Art). Review by Carl F Gauze.
Legendary drummer Bill Bruford recounts his life with Yes, King Crimson, and the Progressive Rock movement.
Pop-collagist/Party-Starter Girl Talk (a.k.a. Gregg Gillis ) talks to Omar de la Rosa about sampling, doing remixes versus Girl Talk originals, the like-minded performance stylings of tourmate Dan Deacon, and Gregg’s favorite mixed drink.
Dick Vaughn’s Moribund Music of the ’70s (Seeland). Review by Kurt Channing.
Uh-Oh (Asphodel). Review by Lips Fresno.
Since its founding in 1994, Punk Planet has been one of the most intelligent and honest magazines around, focusing equally on punk rock and progressive politics. Now, Akashic Books has collected the magazine’s most interesting interviews as We Owe You Nothing. Anton Wagner offers an in-depth analysis.
AM Gold (Jade Tree). Review by Anton Wagner.
In Perspective: Incredibly Strange Muzak (Ink 19, February 2001)
Sick and tired of reading Negativland interviews that go on and on about intellectual property issues? Have no fear! Isaac Airbourne didn’t ask Don Joyce a single question about the subject!
Ideppiss (Seeland). Review by Steven Garnett
Small-town Grand Junction, Colorado, comes out in droves to Slamming Bricks 2023, as our beloved queer community event eclipses its beginnings to command its largest audience yet. Liz Weiss reviews the performance, a bittersweet farewell both to and from the Grand Valley’s most mouthy rebel organizer, Caleb Ferganchick.
Carl F. Gauze reviews Dreamers Never Die, the loving documentary on the career of rocker extraordinaire Ronnie James Dio.
The iconic rock and roll magazine from the 1960s is back and just as relevant and snotty as ever.
This week, Christopher Long nearly fights a famed rock star in defense of his 1970s pin-up princess. To prove his point, Chris goes into his own garage and digs out his musty vinyl copy of the self-titled 1972 alt. country classic from Linda Ronstadt.
A former convict returns to London to avenge his former enemies and save his daughter. Carl F. Gauze reviews the Theater West End production of Sweeney Todd.
This week, cuddly curmudgeon Christopher Long finds himself feeling even older as he hobbles through a Florida flea market in pursuit of vinyl copies of the four infamous KISS solo albums — just in time to commemorate the set’s milestone 45th anniversary.