Rampen (apm: alien pop music) (POTOMAK). Review by Steven Cruse.

Liturgy crashes a party brought to you by indie buzz acts to 1: confuse fans who came out to see Sleigh Bells and Diplo, and 2: give Matthew Moyer a reason to show up.

The Machine Cuisine Companion Cassette (Anchor Brain). Review by Matthew Moyer.

Finsternis (Public Guilt). Review by Matthew Moyer.

Fans of cutting-edge electronic music most likely have Michael Rother to thank. Rother was one of the prime movers in a German music scene, dubbed krautrock, that still sets the standard for exciting, weird, and groovy music. Ink 19 had the pleasure of chatting with Rother, who seems as comfortable with creating new music as he is with being a careful archivist of the music and legacy of his previous bands.

Tracks and Traces (Gronland/High Wire). Review by Matthew Moyer.

Seven Days Now (CSSR). Review by Matthew Moyer.

Primary Colours (Beggars/XL Records). Review by Matthew Moyer.

Anthology (Mute Records). Review by Matthew Moyer.

His/Hers (Type). Review by Matthew Moyer.

Goodbye, Farewell (Socyermom Records). Review by Matthew Moyer.

An interview with Erik Johnson, the humble and brilliant front man for the San Francisco-based psychedelic band Wooden Shjips.

Mondo Dell’Orrore (Crucial Blast). Review by Matthew Moyer.

Satan’s Circus (Drone/Universal). Review by Kiran Aditham.

Beyond the Horizon Line (Silber). Review by Stein Haukland.

I’ll Take It (Arena Rock). Review by Matthew Moyer.

Neu (Asian Man). Review by Aaron Shaul.

Japan,indie,no-wave,new wave,rock,Polysics,Neu,Asian Man,Aaron Shaul

From Where the Sun Now Stands I Will Fight No More, Forever (Alternative Tentacles). Review by Stein Haukland.

Pajama Avenue (Loose Thread). Review by Stein Haukland.