Sorrow & Smoke: Live at the Horseshoe Lounge (Music Road Records). Review by James Mann.
What It Sounds Like (Vol. 1) (Dualtone). Review by James Mann.
Look! Up in Chicago! Is it a Waco, a Mekon or a Pine Valley Cosmonaut? Rob Walsh straightens it all out with Jon Langford.
Folklore (Jetset). Review by Rob Walsh.
Terrible Hostess (Mint). Review by Rob Walsh.
In a chat with drummer Mark Ortmann, Sean Slone discovers why all the songs on The Bottle Rockets’ new album remain the Sahm.
MXTX: A Cross-Border Exchange (Six Degrees Records). Review by Bob Pomeroy.
The rains are coming, but the shows must go on!
Strange Mornings in the Garden (American Laundromat Records). Review by Laura Pontillo.
More theater hi-jinx from Orlando International Fringe Theatre Festival in the muggy month of May, from Carl F. Gauze.
Tommy Emmanuel and opener Gareth Pearson captivated Orlando with a stunning acoustic performance. Michelle Wilson has the full recap.
Here’s the straight skinny on day two of the Orlando International Fringe Theatre Festival, from Carl F. Gauze.
Marion Davies shines in this restored silent comedy classic from Undercrank Productions. Review by Phil Bailey.
The Orlando International Fringe Theatre Festival is back to full throttle in 2022. Carl F. Gauze has some sneak peeks.
Hard Luck and a Woman (Justin Golden Music). Review by Bob Pomeroy.
America’s favorite anti-heroes shoot their way out of life and into the the realms of history in Theater West End’s Bonnie & Clyde.