Afterimage
Faces to Hide (Independent Project Records). Review by Peter Lindblad.
Faces to Hide (Independent Project Records). Review by Peter Lindblad.
Absolute Dissent (Spinefarm/Universal). Review by Matthew Moyer.
Revisited (Pnuma). Review by Gail Worley.
Sex Is Everything (Cold Crush). Review by Stein Haukland.
Butthole Surfers + Live PCPPEP (Latino Bugger Veil / Revolver). Review by Stein Haukland.
Volume 7 (Devil Doll). Review by Stein Haukland.
mclusky do dallas (Too Pure). Review by Stein Haukland.
Float Away With the Friday Night Gods (E-Squared / Artemis). Review by James Mann.
Can DVD capture the grandeur one of the greatest punk bands of all, The Clash? Director and longtime cohort Don Letts gives it a try with Westway to the World. James Mann will let you know-oh, should it stay or should it go.
Any Other City (DC / Baltimore 2012). Review by Terry Eagan.
There is No Future (Trojan). Review by Brian Kruger.
The Best of Pigface (Invisible Records). Review by James Mann.
Yahweh or the Highway (Skin Graft). Review by Nathan T. Birk.
Necromance: Digital Urban Icons (Day After). Review by Nathan T. Birk.
You could call it an industrial supergroup: Martin Atkins, Chris Connelly, Jah Wobble, and Geordie Walker bring together decades of experience in bands like Pigface, Killing Joke, Public Image Limited, Ministry, the Revolting Cocks, and more, and start a new project, the Damage Manual. drew West gets the story straight from Atkins himself.
Metal Box / Second Edition (1979 / 1980) (Warner Brothers). Review by Charles D.J. Deppner
In this latest installment of his weekly series, Christopher Long discovers and scores a secondhand vinyl copy of one of his all-time favorite LPs: 2XS (To Excess), the splendid 1982 flop from the iconic Scottish powerhouse, Nazareth.
A Murmuration of Capitalist Bees (Expert Work Records, Dipterid Records). Review by Peter Lindblad.
Author and longtime Ink 19 contributor Christopher Long kicks off the 2025 edition of his popular weekly Garage Sale Vinyl series with a bona fide banger: the blues-soaked, whisky-injected, self-titled 1971 debut record from Bonnie Raitt.
Hear My Song: The Collection, 1966 - 1995 (Madfish Music). Review by Bob Pomeroy.
Seijun Suzuki’s 1958 widescreen film noir feature, Underworld Beauty, comes to Blu-ray.
Phil Bailey reviews quirky sexploitation film Facets of Love (1973), a saucy Hong Kong costume drama from director Li Hsang-han of kung fu powerhouse Shaw Brothers, now out on Blu-ray.
Longtime Ink 19 staff writer Christopher Long spent almost the entire year consuming and writing about new music. Here are his personal Dirty Dozen: the 12 records that made his heart the happiest in 2024.
Stormchaser (Inebriated Music / Anthem Entertainment). Review by Christopher Long.
Let It Rock: Live from the San Francisco Civic Center 1980 (Liberation Hall). Review by Bob Pomeroy.