Frontier Ruckus
Impressionistic Michigan documentarians Frontier Ruckus make time in their infinite tour schedule to help Aaron Shaul better understand the opaque beauty of their newest album Deadmalls & Nightfalls.
Impressionistic Michigan documentarians Frontier Ruckus make time in their infinite tour schedule to help Aaron Shaul better understand the opaque beauty of their newest album Deadmalls & Nightfalls.
Caught in the Trees (Secretly Canadian). Review by Eric J. Iannelli.
Pacific Ocean Blue (Sony/Capitol/Legacy). Review by Matthew Moyer.
For Emma, Forever Ago (JagJaguar). Review by Matthew Moyer.
Matthew Moyer gets quiet with boy/girl duo Nire, cracking the code from Portland.
Sometimes You Hear Through Someone Else (Azra). Review by Aaron Shaul.
Little Drummer Boy - Live (Caldo Verde). Review by Aaron Shaul.
Ghosts of the Great Highway (Re-Issue) (Caldo Verde). Review by Aaron Shaul.
The Fair Shore (Acuarela). Review by Aaron Shaul.
The Shining Example is Lying on the Floor (Broken Sparrow). Review by Aaron Shaul.
Songs From the Barrel Commando (Happy Home). Review by Aaron Shaul.
You Win (Acuarela). Review by Aaron Shaul.
Hard to Love a Man (Secretly Canadian). Review by Aaron Shaul.
The River (Marriage). Review by Aaron Shaul.
All Harm Ends Here (Secretly Canadian). Review by Aaron Shaul.
Is All Over the Map (Thrill Jockey). Review by Aaron Shaul.
White Houses (Greyday Productions). Review by Rob Levy.
The Last Laugh (Acuarela ). Review by Aaron Shaul.
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Estranged (Heyday). Review by Matthew Moyer.
Twenty-three years after his Sonic Recipe for Love, Steve Stav writes a playlist for the brokenhearted victims of another corporate holiday: the first Valentine’s Day of the second Trump era.
Phil Bailey reviews Rampo Noir, a four part, surreal horror anthology film based on the works of Japan’s horror legend, Edogawa Rampo.
In this latest installment of his popular weekly series, Christopher Long finds himself dumpster diving at a groovy music joint in Oklahoma City, where he scores a bagful of treasure for UNDER $20 — including a well-cared-for $3 vinyl copy of Life for the Taking, the platinum-selling 1978 sophomore set from Eddie Money.
Ink 19’s Liz Weiss spends an intimate evening with Gregory Alan Isakov.
Sharon Van Etten & The Attachment Theory (Jagjaguwar). Review by Peter Lindblad.
This week, Christopher Long goes “gaga” over discovering an ’80s treasure: an OG vinyl copy of Spring Session M, the timeless 1982 classic from Missing Persons — for just six bucks!
Both bold experiment and colossal failure in the 1960s, Esperanto language art house horror film Incubus returns with pre-_Star Trek_ William Shatner to claim a perhaps more serious audience.
You Can’t Tell Me I’m Not What I Used To Be (North & Left Records). Review by Randy Radic.