Letters!
The third AFI hate mail reminds us that it’s once again time to share Letters with the rest of our readers!
The third AFI hate mail reminds us that it’s once again time to share Letters with the rest of our readers!
Volume 1 (Limitless Sky). Review by Rob Walsh.
If They Knew This Was the End (Bar None). Review by Rob Walsh.
Bonnie “Prince” Billy (a.k.a. Will Oldham) with Long Live Death at the Iron Horse, Northampton. Concert review by Rob Walsh.
Thirty years and still fighting the good fight. Rob Walsh talks to Sweet Honey in the Rock and finds that the message still lives.
Matthew Shipp vs. Anti-Pop Consortium (Thirsty Ear). Review by Rob Walsh.
Various Artists (GMM). Review by Rob Walsh.
Simply Deep (Columbia). Review by Rob Walsh.
In Streams (Martians Go Home). Review by Rob Walsh.
The New War on Terrorism: Fact and Fiction (Alternative Tentacles). Review by Rob Walsh.
Nuclear War (Matador). Review by Rob Walsh.
Is DIY dead? No, it’s just a bit more convoluted. In Label Launch, Veronika Kalmar attempts to demystify the process of putting out your own record. Rob Walsh has a look.
Unlistenable (Zero To One). Review by Rob Walsh.
Man Vs. Machine (Columbia). Review by Rob Walsh.
Front Porch Stories (Fat Wreck Chords). Review by Rob Walsh.
Frank Black and the Catholics, with The Bennies, David Lovering, and The Reid Paley Trio at Toad’s Place in New Haven, CT on November 10, 2002. Concert review by Rob Walsh. Photos by Julie Flynn.
You’re a Big Girl Now (Kimchee). Review by Rob Walsh.
Will Stil Love Me? and The Wooden Stars (Jagjaguwar). Review by Rob Walsh.
Look! Up in Chicago! Is it a Waco, a Mekon or a Pine Valley Cosmonaut? Rob Walsh straightens it all out with Jon Langford.
Dirty South Hip-Hop Blues (21st Century Blues). Review by Rob Walsh.
Time Of My Life (Frenchkiss Records). Review by Danielle Holian. Featured photo by Jim Fuller.
The Shape of Punk to Come: A Chimerical Bombination in 12 Bursts (Epitaph). Review by Steven Cruse.
A Peak in the Signal: Live 1979-1980 (Tiny Global Productions). Review by Peter Lindblad.
We Take No Prisoners (The Singles: 1995 – 2006) (BMG). Review by Christopher Long.
Bob Mould finishes his 2024 Fall Solo Tour, bringing legendary energy to Atlanta.
Featured photo by Charles DJ Deppner.
Crescent City Jewels (Troubadour Jass ). Review by Bob Pomeroy.
Featured photo by Eric Waters and Girard Mouton.
For the tenth straight year, Lily and Generoso proudly present their coverage of AFI Fest, Los Angeles’s premiere film festival which took place in Hollywood this October.
Featured photo courtesy of AFI Fest.