The glass bottom boat of the cultural press
Gail Worley talks with the (extremely!) lovely and talented Cristina Martinez about juggling family responsibilities and rock and roll, why getting dumped by a major was a good thing, and what it’s like to have Jon Spencer as both a husband and a bandmate.
According to James Mann, the Georgia Satellites rocked the house at Atlanta’s Music Midtown on May 5, 2000.
Why does the Unband rock so hard? That’s what Gail Worley asked singer/guitarist Matt Pierce of the one band that parties so hard that they had to move to New York after being banned from every club in Boston. It’s all about sex, drugs, and rock and roll!
David T. Lindsay isn’t afraid to tell you what he believes, no matter how politically incorrect some may find his ideas.
Over There: Live at the Venue, London - The Complete Concert (Liberation Hall). Review by Bob Pomeroy.
Another gem in Marco Bellocchio’s oeuvre, journalism thriller Slap the Monster on Page One is as relevant today as it was in 1972.
Before there was Leather Tuscadero, Suzi Quatro was in two pioneering, all-woman rock bands in her hometown of Detroit, Michigan. This is a Quick Look at those bands: The Pleasure Seekers and Cradle.
Lily and Generoso review director Hernán Rosselli’s second hybrid-fiction crime film that artfully explores our perceived notions of family.
Lights On A Satellite: Live At The Left Bank (Resonance Records). Review by Bob Pomeroy.
Don’t let the stats fool you. Zyzzyx Road may have been the lowest grossing movie in history, but is it worth checking out? Phil Bailey explores the new 4K UHD from Dark Arts Entertainment.
In France: Live at the 1977 Nancy Jazz Pulsations Festival ( Deep Digs). Review by Bob Pomeroy.
The first film based on Junji Ito’s manga, Tomie, makes its US Blu-ray debut from Arrow Video.
