Gingersol
Eastern (Rubric). Review by Sean Slone.
Eastern (Rubric). Review by Sean Slone.
Baby Blue (Rubric). Review by Aaron Shaul.
Corn Dog Love (Rubric). Review by Stein Haukland.
The Pinkermen Set (Rubric). Review by Ian Koss.
Voi-La Intruder (Rubric). Review by Ian Koss.
Love Me Like Crazy (Rubric). Review by Matt Cibula.
Miasma and Inner Marshland (Rubric). Review by Matthew Moyer.
Rock ‘N’ Roll Party! (Rubric). Review by Anton Warner.
Prepare to Greet a Guest (Rubric). Review by Marcel Feldmar.
The music starts out by reminding me of some cross between one of those math …
Though this is numbered as the first release on Rubric Records, it’s a retroa…
What regular barncore is to regular bestiality, the Barnyard Playboys are to …
Ween announce first extensive tour since reuniting in 2016
In this installment, Christopher Long receives a massive love gift from his nail tech: a ravaged original vinyl pressing of the classic 1971 Alice Cooper LP, Killer, for free.
All the Sandy Bottom characters come to life in The Spongebob Musical at the Orlando Rep. Carl F. Gauze reviews.
55th Anniversary Super Deluxe Double LP (Don Giovanni Records). Review by Carl F. Gauze.
Macabre masterpiece The House that Screamed gets a stunning Blu-ray makeover, revealing a release good enough to convert non-believers. Phil Bailey reviews.
Ink 19’s Stacey Zering talks with writer Doug Bratton, who takes us inside his indie murder mystery comic book series, Isolation.
On today’s show, Charley Deppner, Eszter Balint, and Pat Greene enjoy a discussion of terror, punk rock, and the duality of musical genius.
In this episode, Jeremy Glazier talks with Tim Bluhm and Greg Loiacono of The Mother Hips, just as their entire back catalog is released on vinyl in partnership with the Blue Rose Foundation.
This week, savvy shopper Christopher Long scores an abused vinyl copy of The Long Run, the 1979 Eagles classic, from a local junkie for a pack of smokes and a can of pop.
Black Holes Are Hard to Find (Nemu Records). Review by Carl F. Gauze.
Carl F. Gauze reviews his second As You Like It in three days, the latest a candy-colored complexity from Rollins College’s Annie Russell Theatre.