Espers
III (Drag City). Review by Aaron Shaul.
III (Drag City). Review by Aaron Shaul.
Songs From a Mean Season (Perpetual Motion Machine). Review by Aaron Shaul.
Hymns For a Dark Horse (Burly Time). Review by Aaron Shaul.
Nothin’ No (Secretly Canadian). Review by Aaron Shaul.
Ghosts of the Great Highway (Re-Issue) (Caldo Verde). Review by Aaron Shaul.
Failures and Sparks (Galaxy Gramophone). Review by Aaron Shaul.
3 & 4 (Narnack). Review by Aaron Shaul.
Rip Through the Hawk Black Night (High Two). Review by Aaron Shaul.
Further From Grace (Strange Attractors). Review by Aaron Shaul.
The Shining Example is Lying on the Floor (Broken Sparrow). Review by Aaron Shaul.
You Win (Acuarela). Review by Aaron Shaul.
Okemah and the Melody of Riot (Transmit Sound). Review by Aaron Shaul.
First Light’s Freeze (Asthmatic Kitty). Review by Aaron Shaul.
Accidents With Nature and Each Other (Strange Attractors). Review by Aaron Shaul.
Out Past the Lights (Grace & Parkinsong). Review by Aaron Shaul.
The River (Marriage). Review by Aaron Shaul.
This week, Christopher Long goes “gaga” over discovering an ’80s treasure: an OG vinyl copy of Spring Session M, the timeless 1982 classic from Missing Persons — for just six bucks!
Both bold experiment and colossal failure in the 1960s, Esperanto language art house horror film Incubus returns with pre-_Star Trek_ William Shatner to claim a perhaps more serious audience.
You Can’t Tell Me I’m Not What I Used To Be (North & Left Records). Review by Randy Radic.
In this latest installment of his weekly series, Christopher Long is betrayed by his longtime GF when she swipes his copy of Loretta Lynn’s Greatest Hits Vol. II right out from under his nose while rummaging through a south Florida junk store.