Saliva
Rise Up (Rum Bum). Review by Carl F Gauze.
Rise Up (Rum Bum). Review by Carl F Gauze.
By all accounts, Adelitas Way vocalist/songwriter Rick DeJesus should have become a statistic. Ink 19’s Elianne Halbersberg talks with the artist about how music – and VH1 – saved his life.
New Rock Nation (Downline Records). Review by Joe Frietze.
Blood Stained Love Story (Island Records). Review by Tim Wardyn.
God Bless the American Plague (In Music We Trust/Long live Crime Records). Review by Tim Wardyn.
Beginnings (Columbia). Review by Nick Plante.
Memento,Beginnings,Columbia,Nick Plante
Dance of Death (Sony). Review by Joe Frietze.
Dance of Death (Sony). Review by Joe Frietze.
Mind Over Mind (Ultimatum Music). Review by Dylan Garret.
The Album (Wind Up). Review by Vinnie Apicella.
Music From the Hit Series (Dreamworks). Review by Vanessa Bormann.
Every Six Seconds (Island). Review by Nathan T. Birk.
Twenty-three years after his Sonic Recipe for Love, Steve Stav writes a playlist for the brokenhearted victims of another corporate holiday: the first Valentine’s Day of the second Trump era.
Phil Bailey reviews Rampo Noir, a four part, surreal horror anthology film based on the works of Japan’s horror legend, Edogawa Rampo.
In this latest installment of his popular weekly series, Christopher Long finds himself dumpster diving at a groovy music joint in Oklahoma City, where he scores a bagful of treasure for UNDER $20 — including a well-cared-for $3 vinyl copy of Life for the Taking, the platinum-selling 1978 sophomore set from Eddie Money.
Ink 19’s Liz Weiss spends an intimate evening with Gregory Alan Isakov.
Sharon Van Etten & The Attachment Theory (Jagjaguwar). Review by Peter Lindblad.
This week, Christopher Long goes “gaga” over discovering an ’80s treasure: an OG vinyl copy of Spring Session M, the timeless 1982 classic from Missing Persons — for just six bucks!
Both bold experiment and colossal failure in the 1960s, Esperanto language art house horror film Incubus returns with pre-_Star Trek_ William Shatner to claim a perhaps more serious audience.
You Can’t Tell Me I’m Not What I Used To Be (North & Left Records). Review by Randy Radic.