Patricia Brennan
More Touch (Pyroclastic Records). Review by Bob Pomeroy.
More Touch (Pyroclastic Records). Review by Bob Pomeroy.
III (Soft Abuse). Review by Aaron Shaul.
Invisible Cities (Ubiquity). Review by Aaron Shaul.
Sonic Portation (Prophase Music). Review by Aaron Shaul.
Passages (Full Bleed Music). Review by Aaron Shaul.
Yosuga (Jagjaguwar). Review by Aaron Shaul.
Monster of the Absolute (Strange Attractors). Review by Aaron Shaul.
A Thousand Shades of Grey (Funfudervierzig). Review by Aaron Shaul.
Satin Black (Strange Attractors). Review by Aaron Shaul.
Forget Yourself (SpinART/Cooking Vinyl). Review by Eric J. Iannelli.
Forget Yourself (SpinART/Cooking Vinyl). Review by Eric J. Iannelli.
Bliss of a Madman (Pascal). Review by Stein Haukland.
Split 7” (AAJ). Review by Daniel Mitchell.
44 Down (Reverb). Review by Daniel Mitchell.
Immediate Eternity (Nevermore). Review by David Lee Beowulf.
Sharon Van Etten & The Attachment Theory (Jagjaguwar). Review by Peter Lindblad.
This week, Christopher Long goes “gaga” over discovering an ’80s treasure: an OG vinyl copy of Spring Session M, the timeless 1982 classic from Missing Persons — for just six bucks!
Both bold experiment and colossal failure in the 1960s, Esperanto language art house horror film Incubus returns with pre-_Star Trek_ William Shatner to claim a perhaps more serious audience.
You Can’t Tell Me I’m Not What I Used To Be (North & Left Records). Review by Randy Radic.
In this latest installment of his weekly series, Christopher Long is betrayed by his longtime GF when she swipes his copy of Loretta Lynn’s Greatest Hits Vol. II right out from under his nose while rummaging through a south Florida junk store.