S/T (Omnivore Recordings). Review by James Mann.
I’ll Never Get Out of this World Alive (New West Records). Review by Sean Slone.
Low Country Blues (Rounder Records). Review by James Mann.
We Walk this Road (Warner Brothers). Review by Christopher Long.
Women & Country (Columbia Records). Review by Tim Wardyn.
Mr. Sad Clown (429 Records). Review by Sean Slone.
Let’s Frolic (Redeye). Review by Chris Catania.
Raising Sand (Rounder). Review by Jen Cray.
Love Is Red (7 Twenty). Review by Sean Slone.
Music From the Miramax Motion Picture (Sony). Review by Aaron Shaul.
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Music From the Motion Picture (DMZ / Columbia / Sony Music Soundtrax). Review by David Whited.
Singer/songwriter Joe Henry tells Gail Worley that he considers himself a very lucky man, and after hearing about his work with Ornette Coleman, sipping martinis with Bob Dylan, and having his sister-in-law record one of his songs (maybe you’ve heard of her — she’s called Madonna), it’s hard to argue.
One of the most highly regarded works to screen at this year’s Locarno Film Festival was Quý Minh Trương’s The Tree House (Nhà cây), a documentary that dramatically utilizes a science fiction lens to simultaneously examine the cultures of multiple ethnic groups in Vietnam while compelling the audience to question the contemporary importance of visual documentation.
Continuous Pleasures (Arevarc Records). Review by Bob Pomeroy.
Sleeping your way to the top is one thing, but killing your way up there works a just as well.
A writer hits a dry spell and then murders his wife, all in the name of making a hit.
Campers freak out when a murderer is on the loose and they have no cell phone reception.
They’re Coming For Me (Hi-Style / Free Dirt). Review by Bob Pomeroy.
Under The Wheels: Live From The Coasts, Volume 1 (Silver Current Records). Review by Michelle Wilson.
Sugar Drops (Red House Records). Review by Michelle Wilson.
A young girl finds love in the wrong place and ends up as a tree.