Past Lives
Tapestry of Webs (Suicide Squeeze). Review by Carl F Gauze.
Tapestry of Webs (Suicide Squeeze). Review by Carl F Gauze.
Take Me to the Sea (Matador). Review by Addam Donnelly.
Young Machetes (V2). Review by Brittany Sturges.
Victory Records has taken a chance on an experimental indie rock band that put out one of 2006’s most exciting debuts. Moros Eros are going to blow up in 2007. Jen Cray spoke with lead singer/guitarist/lyricist, Zach Tipton , while he enjoyed what could very well be his last couple weeks of anonymity at home in Georgia.
Waiter: You Vultures! (Fearless). Review by Addam Donnelly.
Plague Music (Equal Vision). Review by Addam Donnelly.
…Burn, Piano Island, Burn (ARTISTdirect). Review by Aaron Shaul.
Tom “Tearaway” Schulte urges haste in plucking up Residents’ back catalogue and tears into new releases by the Blood Brothers, Black Lips and the Exploited, among others. Edit
Twenty-three years after his Sonic Recipe for Love, Steve Stav writes a playlist for the brokenhearted victims of another corporate holiday: the first Valentine’s Day of the second Trump era.
Phil Bailey reviews Rampo Noir, a four part, surreal horror anthology film based on the works of Japan’s horror legend, Edogawa Rampo.
In this latest installment of his popular weekly series, Christopher Long finds himself dumpster diving at a groovy music joint in Oklahoma City, where he scores a bagful of treasure for UNDER $20 — including a well-cared-for $3 vinyl copy of Life for the Taking, the platinum-selling 1978 sophomore set from Eddie Money.
Ink 19’s Liz Weiss spends an intimate evening with Gregory Alan Isakov.
Sharon Van Etten & The Attachment Theory (Jagjaguwar). Review by Peter Lindblad.
This week, Christopher Long goes “gaga” over discovering an ’80s treasure: an OG vinyl copy of Spring Session M, the timeless 1982 classic from Missing Persons — for just six bucks!
Both bold experiment and colossal failure in the 1960s, Esperanto language art house horror film Incubus returns with pre-_Star Trek_ William Shatner to claim a perhaps more serious audience.
You Can’t Tell Me I’m Not What I Used To Be (North & Left Records). Review by Randy Radic.