U.S. Bombs
We Are The Problem (Sailor’s Grave). Review by Jen Cray.
We Are The Problem (Sailor’s Grave). Review by Jen Cray.
Long Legs (Disaster Records). Review by Daniel Mitchell.
Volume 8 (Epitaph). Review by Troy Jewell.
punk,hardcore,emo,hip hop,Various,Punk-O-Rama 8,Epitaph Records,Troy Jewell
Covert Action (HellCat). Review by Troy Jewell.
Tom “Tearaway” Schulte whips up an Outsight deluge, complete with analysis of Nick Drake, the Cramps, Betty Blowtorch, Captain Beefheart, Noam Chomsky and der Crue.
Rollins Band, with Circle Jerks and US Bombs at The House of Blues in Orlando, FL on August 16, 2001. Concert review by Liza Hearon. Photos by Jen Lato.
Today’s Smmoth Jazz Roundup is a collection of short reviews of easy-to-listen-to jazz.
In Perfect Harmony: The Lost Album (Jazz Detective). Review by Bob Pomeroy.
The Mighty Warriors: Live in Antwerp (Elemental Music). Review by Bob Pomeroy.
40 years on, Michael Gira and Swans continue to bring a ritualistic experience that needs to be heard in order to be believed. Featured photo by Reese Cann.
The biggest astronomical event of the decade coincides with a long overdue trip to Austin, Texas.
Sofia and Louise have just graduated nursing school. They have no idea what they’ve signed up for.
At the Showcase: Live in Chicago 1976/1977 (Jazz Detective). Review by Bob Pomeroy.
Atlantis Lullaby: The Concert in Avignon (Elemental Music). Review by Bob Pomeroy.
Hamilton, Ontario rap artist Cadence Weapon drops Rollercoaster (MNRK Music) today.
Shall I compare thee to an “Old Bronco”? Sure, if thou art The Bacon Brothers.