- Music Reviews
- September 23, 2020
20th Century in 100 Songs (Louisiana Red Hot Records). Review by Carl F. Gauze.
Goldbank 78 Stack (In Music We Trust). Review by Tim Wardyn.
Oasis and the White Stripes… opposing ends of the stylistic spectrum, or left glove and right glove? J. Noise exposes the taxonomy.
A double bill of white boy blues rock starring The Black Keys and The Hentchmen, and Jen Cray reveals her long-obvious crush for Detroit.
Voice of Treason (Sanctuary). Review by Jen Cray.
FormFollowsFunction (Time Beach Records). Review by Jen Cray.
October, November (Lookout! Records). Review by Daniel Mitchell.
Pink Grease,This Is For Real,Mute,Danny Lewis
Straight (Birdman). Review by Daniel Mitchell.
power rock,Tsar,Straight,Birdman Records,Daniel Mitchell
This Is For Real (Mute). Review by Danny Lewis.
Tantilla (Rhino). Review by Sean Slone.
House of Freaks,Tantilla,Rhino,Sean Slone
Mitch Easter, Let's Active, the dBs, Rob Levy, interview
Music From the Miramax Motion Picture (Sony). Review by Aaron Shaul.
They don’t come more seminal than Mitch Easter, who has influenced music from both sides of the mixing board, with his band Let’s Active and as the producer for acts like REM, Pavement and Marshall Crenshaw. Rob Levy grabs a few moments with the busy man.
traditional folk,Appalachian folk,Civil War,soundtrack,sound,track,film,movie,Cold Mountain,Music From the Miramax Motion Picture,Sony,Aaron Shaul
Red Printz EP (Modular). Review by Britta Barrett.
This trilogy of music videos collections purports to gather together some of the more visually arresting work from music video directors Spike Jonze, Michel Gondry and Chris Cunningham. Joe Clay asks, "But is it art?"
Chain Gang of Love (Columbia). Review by Ben Varkentine.
For a brief while, James Mann puts the old 78s down and clues us in on those few things he liked in 2003 that weren’t around in 2002.