Mixtape 141 :: Faith
Sneaks uses electronic layers and a disaffected delivery to create something that lives in the past and in the future and only circumstantially in the present.
Sneaks uses electronic layers and a disaffected delivery to create something that lives in the past and in the future and only circumstantially in the present.
The Social, in Orlando, has been frequently offering two-night residencies to bands that can easily sell out the small venue. Booking the bill with big talent and odd packaging, these shows are usually a hot ticket and always memorable. For a holiday treat in December, Bouncing Souls were the band in big letters with hefty support from The Street Dogs , Whole Wheat Bread and World/Inferno Friendship Society. Jen Cray was there for the mayhem on night #2.
The Hold Steady are in part known for the copious amounts of alcohol they consume onstage during every performance. How much alcohol can they actually get through in an hour and change? Jen Cray was at their Orlando gig to find out.
Ruy Blas (Lovitt). Review by Kurt Channing.
As cool as this CD is, this band has got to be seen to be believed.
The Best of hackedepicciotto (Live in Napoli) (Mute). Review by Peter Lindblad.
Ink 19’s Randy Radic spoke with C.L. Turner of the band Arctic Wave to discuss the latest single, inspirations, and next directions.
Featured image courtesy of Present PR
Radiance Films resurrects a trio of ghostly mid-century Japanese films for their Daiei Gothic: Japanese Ghost Stories Blu-ray box set.
Haunted Underground Classics (RockBeat Records). Review by Charles DJ Deppner.