Mixtape 141 :: Faith
Sneaks uses electronic layers and a disaffected delivery to create something that lives in the past and in the future and only circumstantially in the present.
Sneaks uses electronic layers and a disaffected delivery to create something that lives in the past and in the future and only circumstantially in the present.
Supremely independent for going on three decades, Superchunk’s incisive nervous energy is still one of the purest indie highs you can find.
Not unlike fine Swiss clockwork, the duo that calls themselves Yello have been ticking for four decades without missing a beat.
The Remix Project, Volume 2 (Journee). Review by Carl F Gauze.
Thank You For Giving Me Your Valuable Time (EMI). Review by Stein Haukland.
Cult classic cannibal shockers The Woman and its prequel, Offspring, let the gore flow on 4K UHD in a new set from Arrow Video.
A young royal must step up and run a kingdom, but he prefers to party with his buddies in this rare classic by Stephen Schwartz. Pippin plays at Winter Garden, Florida’s Garden Theatre through September 15, 2024.
Judy Craddock speaks with Jeffrey Foucault about his first album in six years, The Universal Fire, and connecting all kinds of dots in the wake of loss.
All In: Unreleased & Rarities — The New West Years (New West Records). Review by Jeremy Glazier.
Bring your loupe and spend some time poring over the maps that open Navola with Ian Koss.