The San Diego metal act As I Lay Dying are gearing up to headline the annual metal smorgasbord- Sounds of the Underground– this summer. Lead singer Tim Lambesis took a moment during a rare week at home to chat with Jen Cray about the band’s past, present, and future.
Until the End (Artemis Records). Review by Daniel Mitchell.
Daniel Mitchell cozies up to Brett from The Juliana Theory to talk about life on a major label and that covers album everyone is waiting for.
Remixed (Sparrow). Review by Daniel Mitchell.
A Parade of Chaos (Solid State). Review by Stein Haukland.
Seminar II: The Holy Rites of Primitivism Regressionism and Seminar III: Zozobra (Tortuga). Review by Nathan T. Birk.
Various Artists (Solidstate). Review by Nathan T. Birk.
Multiple generations, from Boomers to Zoomers, joined together with the band to sing and scream in Memphis and it was a blast. Pete Townshend and Roger Daltrey, along with their normal touring band, were joined by local orchestral musicians on stage for a two-hour show, bringing a range of classic songs to the expectant masses.
MXTX: A Cross-Border Exchange (Six Degrees Records). Review by Bob Pomeroy.
The rains are coming, but the shows must go on!
Strange Mornings in the Garden (American Laundromat Records). Review by Laura Pontillo.
More theater hi-jinx from Orlando International Fringe Theatre Festival in the muggy month of May, from Carl F. Gauze.
Tommy Emmanuel and opener Gareth Pearson captivated Orlando with a stunning acoustic performance. Michelle Wilson has the full recap.
Here’s the straight skinny on day two of the Orlando International Fringe Theatre Festival, from Carl F. Gauze.
Marion Davies shines in this restored silent comedy classic from Undercrank Productions. Review by Phil Bailey.
The Orlando International Fringe Theatre Festival is back to full throttle in 2022. Carl F. Gauze has some sneak peeks.
Hard Luck and a Woman (Justin Golden Music). Review by Bob Pomeroy.