The glass bottom boat of the cultural press
With over 40 albums and an unassailable legacy as the originator of one of Africa’s most popular and enduring sounds, the job of curating Fela Kuti’s catalog for the 21st century is a difficult and enviable task. Ink 19 dives into the Knitting Factory’s Chop n’ Quench, Fela’s first nine albums re-released, and gives a heads up on the Na Poi set of albums due to drop on May 11.
Oyaya! (Columbia Records). Review by Tim Wardyn.
Carl F. Gauze reviews the not-quite one-woman show, Always… Patsy Cline, based on the true story of Cline’s friendship with Louise Seger, who met the star in l961 and corresponded with Cline until her death.
Carl F. Gauze reviews this interesting look at the surprising history and scandalous etymology of jazz, in Weird Music That Goes On Forever, by Bob Suren.
Two new releases from Free Dirt Records use sound and music to tell stories about our history.
A lady Tarzan and her gorilla have a rough time adapting to high society in Lorraine of the Lions (1925), one of four silent films on Accidentally Preserved: Volume 5, unleashed by Ben Model and Undercrank Productions, with musical scores by Jon C. Mirsalis.
Carl F. Gauze takes in See You at the Movies, another exciting Winter Park Playhouse Spotlight Cabaret featuring Orlando’s own Tay Anderson.
A small town woman finds peace with her family in Rachel Hendrix, part of the 2024 Florida Film Festival, an Oscar®-qualifying festival now in its 33rd year.
Look to the East, Look to the West (Merge Records). Review by Bob Pomeroy.
