Perceptual Inheritance
Transparancy :: Perceptual Inheritance :: Sunday, April 18th, 2004
Among other little fixations, Heather’s reasons for living are her cats, Akira Hokuto, Jarvis Cocker, and the seedy resolution you can only get with a polaroid camera.
Transparancy :: Perceptual Inheritance :: Sunday, April 18th, 2004
Heather knows that a picture can say many different different things. Sometimes a picture can even ask, “Is it time for a checkup?” Damned collages.
Heather makes Art Nouveau all her own.
Ever wish you could go back in time and relive all of the beautiful moments? Well you can’t. There are no words for it.
Heather steals the face, strips away the spirit and washes it all in glorious color. Color hides all flaws in a technicolor dream.
Heather reinvents London’s elusive Oscar Wilde Memorial in the darkroom with a touch of silver… during a sandstorm, I hear.
Do good intentions ever really work out? A visual interpretation of blood ties and helplessness.
Heather returns from months in the wilderness with a very different look at Wild Billy Childish. Wow!
Heather had to ruin a perfectly good piece of fruit to make this, so you sure better look at it! Or did she? Photographic phuckery.
Pretty as a picture, pretty as a Toned Silver Print in fact. Striking.
Thank the wireless Apostles! Transparancy offers a glimpse of something that is better than Oral Roberts with unlimited weekend minutes.
Transparancy :: Kompewtor Arte Suxx x x x :: Wednesday, August 1st, 2001
The proper accessories can hide a multitude of sins, but not to the sharp eyes of Transparancy.
When you can’t reproduce, you might as well just disappear. Visual testimony courtesy of Transparancy.
Transparancy :: Taxidermists in Honeycomb Heaven :: Wednesday, May 16th, 2001
Transparancy :: Renaissance :: Monday, April 9th, 2001
Transparancy :: O.C.D. :: Wednesday, February 28th, 2001
Transparancy :: Unspoken :: Friday, February 2nd, 2001
Transparancy :: Resolution #1: Lose 10 Pounds :: Saturday, December 30th, 2000
Transparancy :: untouched :: Saturday, December 2nd, 2000
Another gem in Marco Bellocchio’s oeuvre, journalism thriller Slap the Monster on Page One is as relevant today as it was in 1972.
Before there was Leather Tuscadero, Suzi Quatro was in two pioneering, all-woman rock bands in her hometown of Detroit, Michigan. This is a Quick Look at those bands: The Pleasure Seekers and Cradle.
Lily and Generoso review director Hernán Rosselli’s second hybrid-fiction crime film that artfully explores our perceived notions of family.
Lights On A Satellite: Live At The Left Bank (Resonance Records). Review by Bob Pomeroy.
Don’t let the stats fool you. Zyzzyx Road may have been the lowest grossing movie in history, but is it worth checking out? Phil Bailey explores the new 4K UHD from Dark Arts Entertainment.
In France: Live at the 1977 Nancy Jazz Pulsations Festival ( Deep Digs). Review by Bob Pomeroy.
The first film based on Junji Ito’s manga, Tomie, makes its US Blu-ray debut from Arrow Video.