Willard Grant Conspiracy
Let It Roll (Dahlia). Review by Aaron Shaul.
Faced with the rich sonic twister of music ever churning around us, our writers strap on headphones and hunker down with these tunes and their words to lead everyone to the bottom of what sounds good right now.
Let It Roll (Dahlia). Review by Aaron Shaul.
Catchy (Greenleaves Sound / Lost Resort Records). Review by Carl F Gauze.
Not Enough Saturday Nights (Take Over Records). Review by Carl F Gauze.
Horror Thirteen (Blood and Guts). Review by Jen Cray.
Open Season: Remixes and Collabs (Cherrytree). Review by Aaron Shaul.
brakeHEAD (Malignant). Review by Aaron Shaul.
Top Billin’ (Exit Stencil). Review by James Greene Jr..
Bang Bang You’re Dead EP (Vertigo/Interscope). Review by Jen Cray.
A Weekend In The City (Vice). Review by Jen Cray.
BQE Overdrive (Self-Released). Review by James Greene Jr..
Accident(s) (Other Electricities). Review by Aaron Shaul.
There is No Home (Magic Marker). Review by Aaron Shaul.
Lucid Dream (Dualtone). Review by Andrew Ellis.
La Ghriba: La Kahena Remixed (Six Degrees Records). Review by Kiran Aditham.
Wolfmother (Interscope). Review by Michael Crown.
The Lights Went Up (Scenery). Review by Aaron Shaul.
Friend Opportunity (Kill Rock Stars). Review by Jen Cray.
Cotton Teeth (Equal Vision). Review by Jen Cray.
Snapshots of the Universe (Ruby Records). Review by Andrew Ellis.
Diamonds in the Rough (Gravitation). Review by Aaron Shaul.
For the tenth straight year, Lily and Generoso proudly present their coverage of AFI Fest, Los Angeles’s premiere film festival which took place in Hollywood this October.
Featured photo courtesy of AFI Fest.
The Best of hackedepicciotto (Live in Napoli) (Mute). Review by Peter Lindblad.
Ink 19’s Randy Radic spoke with C.L. Turner of the band Arctic Wave to discuss the latest single, inspirations, and next directions.
Featured image courtesy of Present PR
Radiance Films resurrects a trio of ghostly mid-century Japanese films for their Daiei Gothic: Japanese Ghost Stories Blu-ray box set.
Haunted Underground Classics (RockBeat Records). Review by Charles DJ Deppner.