White Courtesy Telephone
Everything Is Fun (Monster Island). Review by Kurt Channing
Music, media, and thought from the Ink 19 editorial team
Everything Is Fun (Monster Island). Review by Kurt Channing
Feature by David Lee Beowülf
Event Review by Richard T. Thurston
Still Ignorant (1987-1997) (Metal Blade). Review by David Lee Beowülf
blame someone else (Bella Union/Setanta). Review by brYan Tilford
Print Review by Brian Shelley
Print Review by Brian Shelley
Do or Die (Hellcat). Review by David Lee Beowülf
Various Artists Mixed by Stryke (Adrenaline). Review by Richard T. Thurston
Hit Man Dreams (Time Bomb). Review by Keith Bergman
The Means… (Cornerstone/Skunk). Review by Andrew Chadwick
Gear Review by Jeff Montgomery
Breaking and Entering (Moon Ska). Review by Julio Diaz
The Secrets of the Black Arts (Death). Review by David Lee Beowülf
Event Review by Ian Koss
Refusal Fossil (Skin Graft Records). Review by Drew Id
Screen Review by Gregory Schaefer
Pigeonhed’s Flashbulb Emergency Overflow Cavalcade of Remixes (Sub Pop). Review by Ian Koss
Feature by Marcel Feldmar
Naked Baby Pictures (Caroline). Review by brYan Tilford
Gasoline Lollipops’ newest single, “Freedom Don’t Come Easy,” is today’s mother lovin’ punk rock folk anthem.
Frank Henenlotter’s gory grindhouse classic Basket Case looks as grimy as the streets of Times Square, and that is one of the film’s greatest assets. Arrow Video gives this unlikely candidate a welcome fresh release.
Despite the Mother’s Day factor, hundreds of fervent, faithful followers still flocked to Orlando’s famed Plaza Live to catch an earlybird set from Jimmy Failla — one of the hottest names on today’s national comedy scene.
Ink 19 readers get an early listen and look at “Cool Sparkling Water,” a new single from Lonnie Walker.
Jeremy Glazier has a bucket list day at a Los Lobos 50th Anniversary show in Davenport, Iowa.
Carl F. Gauze reviews the not-quite one-woman show, Always… Patsy Cline, based on the true story of Cline’s friendship with Louise Seger, who met the star in l961 and corresponded with Cline until her death.
Carl F. Gauze reviews this interesting look at the surprising history and scandalous etymology of jazz, in Weird Music That Goes On Forever, by Bob Suren.
Two new releases from Free Dirt Records use sound and music to tell stories about our history.
A lady Tarzan and her gorilla have a rough time adapting to high society in Lorraine of the Lions (1925), one of four silent films on Accidentally Preserved: Volume 5, unleashed by Ben Model and Undercrank Productions, with musical scores by Jon C. Mirsalis.