What’s for dinner? Better not look to Dirty Sugar Cookies for the answer, as it’s low on recipes to begin with and Rose Petralia’s too engrossed in Ayun Halliday’s narration to even think of cooking.

Black Magic Show (Kemado/Hollywood). Review by Jen Cray.

The Lawlessness of the Ruling Class (Hyrbis). Review by Aaron Shaul.

Plays Polmo Polpo (Constellation). Review by Aaron Shaul.

Successful Attempts at Failure (Sinister Muse). Review by Kyrby Raine.

The New Seditionaries (TKO). Review by Jen Cray.

Michael Vince. Review by Kyrby Raine.

The Shadow of Your Smile (Arrow). Review by Kyrby Raine.

DJ Screw: The Untold Story (Oarfin ). Review by Chris Catania.

The Drawn and Quartered EP (Serjical Strike). Review by Jen Cray.

The Town and the City (Hollywood). Review by Sean Slone.

The Tallest Man on Earth (Gravitation). Review by Aaron Shaul.

At the End of the Day (Heron’s Point Music). Review by Kyrby Raine.

Liars (Benevolent). Review by Jen Cray.

Rybalochka. Review by Kyrby Raine.

Reject On Impact. Review by Jen Cray.

With a downright Southern Americana vibe, Leroy Justice is a band that needs to be experienced to be understood. Brittany Sturges talks to two members of the band to try and get a better understanding of their style.

(Kittridge). Review by Aaron Shaul.

New York’s Night Kills The Day draw influence from bands like Depeche Mode, the Cure and Pink Floyd. Their debut full length release, The Study of Man… And the Developed Shadow, is set for a March 2007 release on Score Records. Jen Cray spoke with bassist Timothy Falzone about his band that appears to be sitting on the doorstep of success.

Danceteria (NativeSun). Review by Matthew Moyer.