Los Lobos
The Town and the City (Hollywood). Review by Sean Slone.
Music, media, and thought from the Ink 19 editorial team
The Town and the City (Hollywood). Review by Sean Slone.
The Tallest Man on Earth (Gravitation). Review by Aaron Shaul.
At the End of the Day (Heron’s Point Music). Review by Kyrby Raine.
Liars (Benevolent). Review by Jen Cray.
Rybalochka. Review by Kyrby Raine.
Reject On Impact. Review by Jen Cray.
With a downright Southern Americana vibe, Leroy Justice is a band that needs to be experienced to be understood. Brittany Sturges talks to two members of the band to try and get a better understanding of their style.
(Kittridge). Review by Aaron Shaul.
New York’s Night Kills The Day draw influence from bands like Depeche Mode, the Cure and Pink Floyd. Their debut full length release, The Study of Man… And the Developed Shadow, is set for a March 2007 release on Score Records. Jen Cray spoke with bassist Timothy Falzone about his band that appears to be sitting on the doorstep of success.
Danceteria (NativeSun). Review by Matthew Moyer.
Dead FM (Fat Wreck Chords). Review by Jen Cray.
Stay Afraid (Jagjaguwar/Brah). Review by Aaron Shaul.
A featured profile in both the local weekly and in the Orlando Sentinel newspaper helped to pack The Social for The Oaks’ first ever headlining gig. Jen Cray was amongst the crowd to lend her support.
Second Guessing (Amish). Review by Aaron Shaul.
Gang of Losers (Arts & Crafts). Review by Jen Cray.
This new collection of Asian packaging and design art reminds Heather Lorusso that sometimes the most interesting things to see in Japan are everyday objects.
Ghost Town (Deaf Jim). Review by Kyrby Raine.
London Bridges (Twentyseven). Review by Aaron Shaul.
David Waxman Presents Ultra Electro (Ultra). Review by Kiran Aditham.
Stage blood, punk rock, a group jam on a John Lennon X-mas song, angular sonics, three top-notch Chicago bands - what more could Chris Catania have asked for this holiday season?
Gasoline Lollipops’ newest single, “Freedom Don’t Come Easy,” is today’s mother lovin’ punk rock folk anthem.
Frank Henenlotter’s gory grindhouse classic Basket Case looks as grimy as the streets of Times Square, and that is one of the film’s greatest assets. Arrow Video gives this unlikely candidate a welcome fresh release.
Despite the Mother’s Day factor, hundreds of fervent, faithful followers still flocked to Orlando’s famed Plaza Live to catch an earlybird set from Jimmy Failla — one of the hottest names on today’s national comedy scene.
Ink 19 readers get an early listen and look at “Cool Sparkling Water,” a new single from Lonnie Walker.
Jeremy Glazier has a bucket list day at a Los Lobos 50th Anniversary show in Davenport, Iowa.
Carl F. Gauze reviews the not-quite one-woman show, Always… Patsy Cline, based on the true story of Cline’s friendship with Louise Seger, who met the star in l961 and corresponded with Cline until her death.
Carl F. Gauze reviews this interesting look at the surprising history and scandalous etymology of jazz, in Weird Music That Goes On Forever, by Bob Suren.
Two new releases from Free Dirt Records use sound and music to tell stories about our history.
A lady Tarzan and her gorilla have a rough time adapting to high society in Lorraine of the Lions (1925), one of four silent films on Accidentally Preserved: Volume 5, unleashed by Ben Model and Undercrank Productions, with musical scores by Jon C. Mirsalis.