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Whiskey Hill (Blue Monster). Review by Vanessa Bormann.
Music, media, and thought from the Ink 19 editorial team
Whiskey Hill (Blue Monster). Review by Vanessa Bormann.
Life Is Good (J). Review by Vanessa Bormann.
Mainhatten Sound (Shadow). Review by Kiran Aditham.
Girl Talk (Telarc). Review by Chastity Carondelet.
The Pawn Rook Four (self-released). Review by Jason Feifer.
Getting Into Sinking (Polyvinyl). Review by Marcel Feldmar.
Generation Bass (Neurodisc). Review by Vanessa Bormann.
What’s it like to be a struggling young English musician in New York when buildings start toppling? Bob Pomeroy finds out, in a conversation with newcomer Gena Dry.
Dream In Red (Indiegrrl). Review by Phil Bailey.
Action (Atlantic). Review by Vanessa Bormann.
Welcome to James MacLaren’s Inconvenience Store, a place where the host is as good as the coffee – bitter, scalding and guaranteed to wake your ass up. We are given a brief tour of the amenities by Columns Editor Matthew Moyer. No shirt, no shoes, and definitely no service.
Bitter Suites to Succubi (Spitfire). Review by Matthew Moyer.
Playing To Live, Living To Play (Victory). Review by Brian Kruger.
No longer a knight who says “nee!,” Carl F. Gauze instead has a few words to say about the anniversary director’s cut edition of the comedy classic Monty Python and the Holy Grail. But is that African or European?
Party Time 2002 (Groovilicious). Review by Vanessa Bormann.
Sonic Excess in its Purest Form (Spitfire). Review by Nathan T. Birk.
Revolution Revolucion (Roadrunner). Review by Nathan T. Birk.
The Drive (Cargo). Review by Marcel Feldmar.
Matt Cibula digs into the new DVD of the celebrated film Memento, in which nothing is what it seems. Plus a guy gets a lot of gnarly tattoos.
Ill Gotten Gains (Beggars Banquet). Review by Marcel Feldmar.
With his latest book, What This Comedian Said Will Shock You, celebrated stand-up Jedi Bill Maher “shocks” readers by doing the most outrageous, unthinkable, and socially unacceptable thing imaginable: he speaks rationally, logically, and objectively.
Gasoline Lollipops’ newest single, “Freedom Don’t Come Easy,” is today’s mother lovin’ punk rock folk anthem.
Frank Henenlotter’s gory grindhouse classic Basket Case looks as grimy as the streets of Times Square, and that is one of the film’s greatest assets. Arrow Video gives this unlikely candidate a welcome fresh release.
Despite the Mother’s Day factor, hundreds of fervent, faithful followers still flocked to Orlando’s famed Plaza Live to catch an earlybird set from Jimmy Failla — one of the hottest names on today’s national comedy scene.
Ink 19 readers get an early listen and look at “Cool Sparkling Water,” a new single from Lonnie Walker.
Jeremy Glazier has a bucket list day at a Los Lobos 50th Anniversary show in Davenport, Iowa.
Carl F. Gauze reviews the not-quite one-woman show, Always… Patsy Cline, based on the true story of Cline’s friendship with Louise Seger, who met the star in l961 and corresponded with Cline until her death.
Carl F. Gauze reviews this interesting look at the surprising history and scandalous etymology of jazz, in Weird Music That Goes On Forever, by Bob Suren.