Underworld and Gabriel Yared
Breaking and Entering: Music From the Film (V2). Review by Aaron Shaul.
Breaking and Entering: Music From the Film (V2). Review by Aaron Shaul.
Hymns For a Dark Horse (Burly Time). Review by Aaron Shaul.
Nam Myo Ho Ren Ge Kyo (Ace Fu). Review by Aaron Shaul.
Gives You: Music From the Dance Performance Pudel (Licking Fingers). Review by Aaron Shaul.
Are the Dark Horse (Jagjaguwar). Review by Aaron Shaul.
Clocks/Pretender (Hybris). Review by Aaron Shaul.
SC100 (Secretly Canadian). Review by Aaron Shaul.
Mapmaker (Jagjaguwar/Brah). Review by Aaron Shaul.
God Save the Clientele (Merge). Review by Aaron Shaul.
Noctilucent Valleys (Soft Abuse). Review by Aaron Shaul.
Woke Myself Up (Jagjaguwar). Review by Aaron Shaul.
The House of Apples & Eyeballs (Graveface). Review by Aaron Shaul.
At the Ballroom (Hidden Agenda). Review by Aaron Shaul.
Nothin’ No (Secretly Canadian). Review by Aaron Shaul.
My Ion Truss (Jagjaguwar). Review by Aaron Shaul.
Nagot dalight nytt har hant (Hybris). Review by Aaron Shaul.
Pebbles (Soft Abuse). Review by Aaron Shaul.
Juvelen (Hybris). Review by Aaron Shaul.
Night of the Furies (Merge). Review by Aaron Shaul.
Ears Will Pop & Eyes Will Blink (Self-Released). Review by Aaron Shaul.
A very focused memoir of a singular year in Robyn Hitchcock’s early life provides Ian Koss with insight on basement Happenings and more.
Get ready for an incredible lineup from Seattle’s 51st Bumbershoot Arts and Music Festival, this Labor Day weekend.
A pair of Tinto Brass films from the ’90s reminds viewers we weren’t always so uptight. Phil Bailey gets erotic with All Ladies Do It and Frivolous Lola from the esteemed Italian director.
Christopher Long takes us on a personal journey of rediscovering the magic of music. It’s just the inspiration I needed to continue my own.
Fascinated by the arcane world of musical gear, Randy Radic spoke with dyed-in-the-wool gearhead Greg Hoy about his setup on new EP Holy Mother of God, how he produces his unique sound, and a gear-gone-wrong moment.